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Media and Performance in the Musical: An Oxford Handbook of the American Musical, Volume II, Knapp Raymond, Morris Mitchell, Wolf Stacy


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Автор: Knapp Raymond, Morris Mitchell, Wolf Stacy
Название:  Media and Performance in the Musical: An Oxford Handbook of the American Musical, Volume II
ISBN: 9780190877828
Издательство: Oxford Academ
Классификация:

ISBN-10: 0190877820
Обложка/Формат: Paperback
Страницы: 336
Вес: 0.38 кг.
Дата издания: 17.09.2018
Язык: English
Размер: 217 x 164 x 19
Ссылка на Издательство: Link
Поставляется из: Англии
Описание: Media and Performance in the Musical explores the American musical both from the standpoint of media in which musicals have been created and from the people who do the work to bring a musical to life.


Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume III

Автор: Knapp Raymond, Morris Mitchell, Wolf Stacy
Название: Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume III
ISBN: 0190877790 ISBN-13(EAN): 9780190877798
Издательство: Oxford Academ
Цена: 3404.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Fills an important gap in Roth scholarship, placing Roth`s major works of fiction in the context of a generational interest in religious redemption among the Jewish intellectuals of Central Europe. Piloiu argues that Roth`s literary output is the result of an attempt to recast moral, political, and historical realities of an empirically observable world in a new, religiously transfigured reality.

Histories of the Musical: An Oxford Handbook of the American Musical, Volume I

Автор: Knapp Raymond, Morris Mitchell, Wolf Stacy
Название: Histories of the Musical: An Oxford Handbook of the American Musical, Volume I
ISBN: 0190877766 ISBN-13(EAN): 9780190877767
Издательство: Oxford Academ
Цена: 3166.00 р.
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Описание: The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a m lange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals have always sought to amuse more than instruct, and to make money more than make political change. In spite of their unapologetic commercialism, though, musicals have achieved supreme artistry and have influenced culture as much as if not more than any other art form in America, including avant-garde and high art on the one hand, and the full range of popular and commercial art on the other. Reflecting, refracting, and shaping U.S. culture since the early twentieth century, musicals converse with shifting dynamics of gender and sexuality, ethnicity and race, and the very question of what it means to be American and to be human.

The chapters gathered in this book, Volume I of the reissued Oxford Handbook, explore the American musical from both the outside and the inside. This first volume concentrates in particular on large-scale, more philosophical issues of relevance to the genre, considering issues of historical situations and formal procedure as they bear on the narratives we make concerning productions and performers, artists and audiences, commerce and context. The first four essays discuss ways of defining histories and texts, and apprehending the formal choices of singers and dancers; the second group of four take up the subtle challenges of the genre's signal transformations out of minstrelsy and Tin Pan Alley to "integration" and beyond.


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