Описание: Contesting Constructed Indian-ness seeks to highlight the investment of white American males with the history of their relationship with the ideas of the Indian. This book documents the investments of white men with that of the ideal Indian, while disregarding the reality of Native Americans in this country.
In A Great Conspiracy against Our Race, Peter Vellon explores how Italian immigrants, a once undesirable and “swarthy” race, assimilated into dominant white culture through the influential national and radical Italian language press in New York City. Racial history has always been the thorn in America’s side, with a swath of injustices—slavery, lynching, segregation, and many other ills—perpetrated against black people. This very history is complicated by, and also dependent on, what constitutes a white person in this country. Many of the European immigrant groups now considered white also had to struggle with their own racial identities. Examining the press as a cultural production of the Italian immigrant community, this book investigates how this immigrant press constructed race, class, and identity from 1886 through 1920. Their frequent coverage of racially charged events of the time, as well as other topics such as capitalism and religion, reveals how these papers constructed a racial identity as Italian, American, and white. A Great Conspiracy against Our Race vividly illustrates how the immigrant press was a site where socially constructed categories of race, color, civilization, and identity were reworked, created, contested, and negotiated. Vellon also uncovers how Italian immigrants filtered societal pressures and redefined the parameters of whiteness, constructing their own identity. This work is an important contribution to not only Italian American history, but America’s history of immigration and race.
Описание: This book examines how African American novels explore instances of racialization that are generated through discursive practices of whiteness in the interracial social encounters of everyday life. These fictional representations have political significance that explore the possibility of a dialogic communication with the American society at large.
Описание: Abolishing White Masculinity from Mark Twain to Hiphop examines white American male literature for its social commentary on the construction of whiteness in the United States. Whiteness has always been a contested racial identity in the U.S., one in a state of construction and reconstruction throughout critical cultural and historical moments. This text examines how white American male writers have grappled with understanding themselves and their audiences as white beings. Abolishing White Masculinity from Mark Twain to Hiphop specifically brings a critical whiteness approach to American literary criticism and strengthens the growing interdisciplinary field of critical whiteness studies in the humanities. Critical whiteness studies shifts the attention from solely examining people and perspectives of color in race discourse to addressing whiteness as an essential component of race ideology. The primary contribution of this perspective is in how whites construct and see whiteness, for the larger purpose of exploring the possibilities of how they may come to no longer construct and see themselves through whiteness. Understanding this is at the heart of contemporary discussions of post-raciality. Abolishing White Masculinity from Mark Twain to Hiphop uses the following texts as canonical case studies: Puddn head Wilson and Those Extraordinary Twins by Mark Twain, The Great Gatsby and The Beautiful and the Damned by F. Scott Fitzgerald, and Angry Black White Boy and The End of the Jews by Adam Mansbach. Each underscores the dialectic of formation, deformation, and reformation of whiteness at specific socio-historical moments based upon anxieties about race possessed by whites and highlighted by white fictionists. The selected writers ultimately serve dually as co-constructors of whiteness and social critics of their times through their literature.
Описание: The Church of Jesus Christ of Latter-day Saints (Mormonism) has consistently found itself on the wrong side of white. Mormon whiteness in the nineteenth century was a contested variable not an assumed fact. Religion of a Different Color traces Mormonism's racial trajectory from not white enough in the nineteenth century, to too white by the twenty-first.
Описание: Contesting Constructed Indian-ness seeks to highlight the investment of white American males with the history of their relationship with the ideas of the Indian. This book documents the investments of white men with that of the ideal Indian, while disregarding the reality of Native Americans in this country.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
