This book revisits the tradition of Western religious cinema in light of scholarship on St. Paul's political theology. The book's subtitle derives from the account in the Book of Acts that St. Paul was temporarily blinded in the wake of his conversion on the road to Damascus. In imitation of Paul, the films on which Sean Desilets's analysis hinges (including those of Carl-Th. Dreyer, Robert Bresson, Pier Paolo Pasolini, and Carlos Reygadas) place a god-blind mechanism, the camera, between themselves and the divine. Desilets calls the posture they adopt "hermeneutic humility": hermeneutic in that it interprets the world, but humble in that it pays particular--even obsessive--attention to its own limits. Though these films may not consciously reflect Pauline theology, Desilets argues that they participate in a messianic-hermeneutic tradition that runs from Paul through St. Augustine, Blaise Pascal, Karl Barth, and Walter Benjamin, and which contributes significantly to contemporary discussions in poststructuralist literary theory, political theology, and religious studies. Desilets's insightful explication of Jean-Luc Nancy's deconstruction of Christianity and Georgio Agamben's recent work on religion makes a substantial contribution to film philosophy and emerging critical trends in the study of religion and film. This book puts forward a nuanced theoretical framework that will be useful for film scholars, students of contemporary political theology, and scholars interested in the intersections of religion and media.
Описание: The 1980s saw the peak of a moral panic over fantasy role-playing games such as Dungeons and Dragons. This book explores both the history and the sociological significance of this panic. It is suitable for those with an interest in religion, popular culture, and social behavior, both in the classroom and beyond.
Описание: Against a background of weak and contested national identity and capricious interaction between religious affiliation and confessional politics, this book illustrates in detailed analysis this "comprehensive" project of Islamism according to its ideological and practical evolutionary change.
Описание: This book examines a wide range of contemporary Russian writers whose work, after the demise of Communism, became more authoritative in debates on Russia’s character, destiny, and place in the world. Unique in his in-depth analysis of both playful postmodernist authors and fanatical nationalist writers, Noordenbos pays attention to not only the acute social and political implications of contemporary Russian literature but also literary form by documenting the decline of postmodern styles, analyzing shifting metaphors for a “Russian identity crisis,” and tracing the emergence of new forms of authorial ethos. To achieve this end, the book builds on theories of postcoloniality, trauma, and conspiracy thinking, and makes these research fields productively available for post-Soviet studies.
Описание: IntroductionPART I: Religion and Neoliberalism Chapter 1: Religions Aligned with NeoliberalismChapter 2: Religions within NeoliberalismChapter 3: Religious Alternatives to NeoliberalismChapter 4: There is no such thing as a religionPART II: AGGIONORMENTO OF CRITICAL SOCIAL THEORIES: THE I-ZATION OF SOCIETY, RELIGION AND POST-SECULARISMChapter 5: Jameson (1): From Late Capitalism to Digital CapitalismChapter 6: Jameson (2): From Pastiche to the Pygmalion ProcessChapter 7: Ritzer (1): From The McDonaldization Thesis to the i-zation of SocietyChapter 8: Ritzer (2) - Standardization and BrandingChapter 9: Habermas (1): A Neoliberal Post-secular ProjectChapter 10: Habermas (2): Neoliberal Post-secularism and the i-zation of SocietyPART III: POLICY IMPLICATION: A NEW COMPASSIONATE TAXChapter 11: Revising Religious Tax Exemption
Автор: Chang Название: Place, Identity, and National Imagination in Post-war Taiwan ISBN: 1138302503 ISBN-13(EAN): 9781138302501 Издательство: Taylor&Francis Рейтинг: Цена: 7348.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the focal point in contesting narratives and the key battlefield in the political debates are primarily spatial and place-based. The major fault line appears to be a split between an imposed identity emphasizing cultural origin (China) and an emphasis on the recovery of place identity of 'the local' (Taiwan).
Place, Identity and National Imagination in Postwar Taiwan explores the ever-present issue of identity in Taiwan from a spatial perspective, and focuses on the importance of, and the relationship between, state spatiality and identity formation. Taking postwar Taiwan as a case study, the book examines the ways in which the Kuomintang regime naturalized its political control, territorialized the island and created a nationalist geography. In so doing, it examines how, why and to what extent power is exercised through the place-making process and considers the relationship between official versions of 'ROC geography' and the islanders' shifting perceptions of the 'nation'. In turn, by addressing the relationship between the state and the imagined community, Bi-yu Chang establishes a dialogue between place and cultural identity to analyse the constant changing and shaping of Chinese and Taiwanese identity.
With a diverse selection of case studies including cartographical development, geography education, territorial declaration and urban planning, this interdisciplinary book will have a broad appeal across Taiwan studies, geography, cultural studies, history and politics.
Описание: This book investigates the intersection of Indian society, the encoding of post-millennial modernity and `ways of seeing` through the medium of Indian graphic narratives.
Описание: Famed and outspoken Russian poet, Maximilian Voloshin`s notoriety has grown steadily since his slow release from Soviet censorship. For the first time, Landa showcases his vast poetic contributions, proving his words to be an overlooked solution both to the political and cultural turmoil engulfing the Soviet Union in the early twentieth century.
Автор: Chang Название: Place, Identity, and National Imagination in Post-war Taiwan ISBN: 1138788287 ISBN-13(EAN): 9781138788282 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the focal point in contesting narratives and the key battlefield in the political debates are primarily spatial and place-based. The major fault line appears to be a split between an imposed identity emphasizing cultural origin (China) and an emphasis on the recovery of place identity of 'the local' (Taiwan).
Place, Identity and National Imagination in Postwar Taiwan explores the ever-present issue of identity in Taiwan from a spatial perspective, and focuses on the importance of, and the relationship between, state spatiality and identity formation. Taking postwar Taiwan as a case study, the book examines the ways in which the Kuomintang regime naturalized its political control, territorialized the island and created a nationalist geography. In so doing, it examines how, why and to what extent power is exercised through the place-making process and considers the relationship between official versions of 'ROC geography' and the islanders' shifting perceptions of the 'nation'. In turn, by addressing the relationship between the state and the imagined community, Bi-yu Chang establishes a dialogue between place and cultural identity to analyse the constant changing and shaping of Chinese and Taiwanese identity.
With a diverse selection of case studies including cartographical development, geography education, territorial declaration and urban planning, this interdisciplinary book will have a broad appeal across Taiwan studies, geography, cultural studies, history and politics.
Описание: Treatments of religion found in Spanish cinema range from the pious to the anticlerical and atheistic, and every position in between. In a nation with a strong Catholic tradition, resistance to and rebellion against religious norms go back almost as far as the notion of “Sacred Spain.” Religion and Spanish Film provides a sustained study of the religious film genre in Spain practiced by mainstream Francoist film makers, the evolving iconoclasm, parody, and reinvention of the Catholic by internationally renowned Surrealist Luis Buñuel, and the ongoing battle of the secular versus the religious manifested in critically and popularly acclaimed directors Pedro Almodóvar, Julio Medem, Alejandro Amenábar, and many others. The conflicted Catholicism that emerges from examining religious themes in Spanish film history shows no sign of ending, as unresolved issues from the Civil War and Franco dictatorship, as well as the unsettled relationship between Church and State, continue into the present.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
