A Monster with a Thousand Hands makes visible a figure that has been largely overlooked in early modern scholarship on theater and audiences: the discursive spectator, an entity distinct from the actual bodies attending early modern English playhouses. Amy J. Rodgers demonstrates how the English commercial theater's rapid development and prosperity altered the lexicon for describing theatergoers and the processes of engagement that the theater was believed to cultivate. In turn, these changes influenced and produced a cultural projection—the spectator—a figure generated by social practices rather than a faithful recording of those who attended the theater. The early modern discursive spectator did not merely develop alongside the phenomenological one, but played as significant a role in shaping early modern viewers and viewing practices as did changes to staging technologies, exhibition practices, and generic experimentation. While audience and film studies have theorized the spectator, these fields tend to focus on the role of twentieth-century media (film, television, and the computer) in producing mass-culture viewers. Such emphases lead to a misapprehension that the discursive spectator is modernity's creature. Fearing anachronism, early modern scholars have preferred demographic studies of audiences to theoretical engagements with the "effects" of spectatorship. While demographic work provides an invaluable snapshot, it cannot account for the ways that the spectator is as much an idea as a material presence. And, while a few studies pursue the dynamics that existed among author, text, and audience using critical tools sharpened by film studies, they tend to obscure how early modern culture understood the spectator. Rather than relying exclusively on historical or theoretical methodologies, A Monster with a Thousand Hands reframes spectatorship as a subject of inquiry shaped both by changes in entertainment technologies and the interaction of groups and individuals with different forms of cultural production.
Описание: American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy--the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually. This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd's vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.
Описание: Drawing on private correspondence and little known documents, published and unpublished, Pilling explores every aspect of the More Pricks Than Kicks short story collection. From its publishing history to why they were written, Pilling reveals Beckett's conflicted feelings about the 'compromise' of writing short stories and his struggle to find a voice distinct from James Joyce, his friend and authority of the form. By discussing each story as separate entity, in a grouping that deviates from the collection, and by analysing 'Echo's Bones', Pilling makes new comparisons and contrasts, illustrating Beckett's idiosyncratic handling of the form. Making sure to place the stories in the context of the post-war work, this early study of Beckett highlights the years and work central to his development as a writer.
Автор: Herren Название: Samuel Beckett`s Plays on Film and Television ISBN: 140397795X ISBN-13(EAN): 9781403977953 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first book devoted Beckett`s innovative work for the big- and small-screens. Herren examines each of Beckett`s film and television plays in depth, emphasizing the central role that memory plays in these haunting works.
Название: Harris: Inventing the Spectator ISBN: 0198701616 ISBN-13(EAN): 9780198701613 Издательство: Oxford Academ Рейтинг: Цена: 13622.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Inventing the Spectator reconstructs the theatre spectator`s experience as it was understood in France between the Renaissance and the Revolution, raising numerous questions that strike at the very heart of human psychology, cognition, and experience.
Автор: Van Hulle Название: Samuel Beckett`s Library ISBN: 1316632814 ISBN-13(EAN): 9781316632819 Издательство: Cambridge Academ Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Samuel Beckett`s Library critically examines the reading notes and marginalia contained in the books of Samuel Beckett`s surviving library in Paris. Previously inaccessible to scholars, this is the first study to assess the importance of the marginalia, inscriptions, and other manuscript notes in the 750 volumes of the library.
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