Автор: Montale Eugenio Название: Collected Poems, 1920-1954 ISBN: 0374533288 ISBN-13(EAN): 9780374533281 Издательство: Holtzbrink(MPS)/MPS Цена: 4046.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A strong, idiomatic translation of Italy's greatest modern poet.
Eugenio Montale is universally recognized as having brought the great Italian lyric tradition that began with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works--Ossi di seppia, Le occasioni, and La bufera e altro--are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. This book offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets.
Описание: Exploring one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it, this book presents interviews conducted with directors and actors, both well-known and emerging.
Автор: Cascon Martin, Eugenio Название: Espanol coloquial 3 edi ISBN: 8498485320 ISBN-13(EAN): 9788498485325 Издательство: Edinumen Цена: 1378.00 р. Наличие на складе: Нет в наличии.
Описание: Espanol coloquial (Nueva edicion) La forma mas frecuente de la comunicacion es el dialogo oral entre dos o mas individuos. En este libro se analizan las manifestaciones linguisticas propiamente dichas, prestando atencion a algunos de sus rasgos mas caracteristicos: manifestaciones afectivas, referencias apelativas, preguntas y respuestas, expresiones ironicas, exclamaciones e interrogaciones, formas de aceptacion y de rechazo, exageraciones e hiperboles, elipsis, iteraciones, cambios de orden, etc., con todas las construcciones y fraseologia en que se sustentan. Este libro esta pensado para lectores y estudiantes que usan el espanol como lengua habitual. Tambien puede ser utilizado para la ensenanza del espanol como lengua extranjera. No se trata de un estudio esencialmente teorico de la lengua coloquial, sino de una exposicion detallada y ejemplificada de sus rasgos gramaticales y fraseologicos. Esta nueva edicion incluye una revision y actualizacion del material. Ademas, se han renOliviado por completo los ejercicios y se han incrementado en cantidad y variedad para facilitar la comprension de las explicaciones teoricas y proporcionar mas instrumentos para la comprension y practica de la lengua conversacional. Se han incorporado nuevos materiales como las transcripciones de grabaciones de dialogos orales procedentes en su mayor parte del Corpus Oral de Referencia de la Lengua Espanola Contemporanea.
In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.
Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.
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