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Phantom formations, Redfield, Marc


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Цена: 2502.00р.
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Автор: Redfield, Marc
Название:  Phantom formations
ISBN: 9781501723162
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 1501723162
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.37 кг.
Дата издания: 15.08.2018
Язык: English
Размер: 153 x 228 x 19
Ключевые слова: Literary studies: c 1800 to c 1900 ,Philosophy: aesthetics, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / French,LITERARY CRITICISM / European / German,PHILOSOPHY / Aesthetics
Подзаголовок: Aesthetic ideology and the "bildungsroman"
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Поставляется из: Англии
Описание:

Marc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre.




Touched with fire

Автор: Jamison, Kay Redfield
Название: Touched with fire
ISBN: 068483183X ISBN-13(EAN): 9780684831831
Издательство: Simon & Schuster
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Цена: 2299.00 р.
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Описание: The definitive work on the profound and surprising links between manic-depression and creativity, from the bestselling psychologist of bipolar disorders who wrote An Unquiet Mind.

An Unquiet Mind

Автор: Jamison, Kay Redfield
Название: An Unquiet Mind
ISBN: 0679763309 ISBN-13(EAN): 9780679763307
Издательство: Random House (USA)
Цена: 1655.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

WITH A NEW PREFACE BY THE AUTHOR

In her bestselling classic, An Unquiet Mind, Kay Redfield Jamison changed the way we think about moods and madness.

Dr. Jamison is one of the foremost authorities on manic-depressive (bipolar) illness;she has also experienced it firsthand. For evenwhile she was pursuing her career in academic medicine, Jamison found herself succumbing to the same exhilarating highs and catastrophic depressions that afflicted many of her patients, as her disorder launched her into ruinous spending sprees, episodes of violence, and an attemptedsuicide.

Here Jamison examines bipolar illness from the dual perspectives of the healer and the healed, revealing both its terrors and the cruel allure that at times prompted her to resist taking medication.

An Unquiet Mind is a memoir of enormous candor, vividness, and wisdoma deeply powerful book that has both transformed and saved lives.



Nothing Was the Same

Автор: Jamison Kay Redfield
Название: Nothing Was the Same
ISBN: 0307277895 ISBN-13(EAN): 9780307277893
Издательство: Random House (USA)
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Цена: 1471.00 р.
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Описание: From the internationally-acclaimed, bestselling author of AN UNQUIET MIND -- a fearless, brilliant, and emotionally-charged memoir about losing a spouse to cancer, a memoir that will appeal to readers of her earlier work and Joan Didion's THE YEAR OF MAGICAL THINKING. FIRST TIME IN PAPERBACK. VINTAGE

Tenth Insight, The

Автор: Redfield
Название: Tenth Insight, The
ISBN: 0446674575 ISBN-13(EAN): 9780446674577
Издательство: Hachette Book Group
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Цена: 1880.00 р.
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Описание: The adventure that began with The Celestine Prophecy continues as the action shifts to a wilderness in the American Southeast where the narrator's friend has disappeared.

Theory at yale

Автор: Redfield, Marc
Название: Theory at yale
ISBN: 0823268667 ISBN-13(EAN): 9780823268665
Издательство: Mare Nostrum (Eurospan)
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Цена: 11913.00 р.
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Описание:

This book examines the affinity between “theory” and “deconstruction” that developed in the American academy in the 1970s by way of the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida.
With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with “Yale.” The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man’s work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify “theory.”
Combining a broad account of the “Yale Critics” phenomenon with a series of careful reexaminations of the event of theory, Redfield traces the threat posed by language’s unreliability and inhumanity in chapters on lyric, on Hartman’s representation of the Wordsworthian imagination, on Bloom’s early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory’s influential attempt to interpret de Manian theory as a symptom of literature’s increasing marginality. A final chapter examines Mark Tansey’s paintings Derrida Queries de Man and Constructing the Grand Canyon, paintings that offer subtle, complex reflections on the peculiar event of theory-as-deconstruction in America.


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