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Dynamics of big business, Binda, Veronica (university Of Bocconi, Italy)


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Цена: 7042.00р.
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Автор: Binda, Veronica (university Of Bocconi, Italy)
Название:  Dynamics of big business
ISBN: 9781138340169
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138340162
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.46 кг.
Дата издания: 06.08.2018
Серия: Routledge international studies in business history
Язык: English
Иллюстрации: 21 tables, black and white; 38 line drawings, black and white
Размер: 153 x 228 x 29
Читательская аудитория: Undergraduate
Ключевые слова: Sales & marketing, BUSINESS & ECONOMICS / Business Ethics,BUSINESS & ECONOMICS / Corporate & Business History,BUSINESS & ECONOMICS / International / General
Подзаголовок: Structure, strategy, and impact in italy and spain
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Поставляется из: Европейский союз
Описание: Throughout the Twentieth Century, big business has been a basic institution. Large corporations have provided a fundamental contribution to the wealth of nations and, at the same time, have had a remarkable impact on the political and social systems within which they have operated. It is difficult to understand the development of the most advanced economies if we do not consider the specific evolution of big business in every national case. On the other hand, it is not possible to explain the shape and behavior of big business without considering its development as part of the history of the country in which they operate. The largest US, German, British and French firms were key actors in favoring their nations development and, even at the end of the Twentieth Century, made a very important contribution to their growth. In many countries, a stable core of large corporations developed only relatively lately, or did not develop at all, and under these circumstances, big business was not able to significantly participate in the economic growth of such countries. Scholars who dealt with the economic history of Italy and Spain are generally unanimous in tagging these nations as industrial late-comers, ineffective in promoting big autochthonous private and State-owned firms, dominated by family companies, and characterized by a strong competitive advantage on the part of small and medium-sized enterprises. At the same time, Spanish and Italian business and economic historians have tended to say little about the role and features of big business. This book thus fills a significant gap in the work on the development of Southern European capitalism and its large corporations by analyzing the Italian and Spanish cases and comparing them with each other and with what has occurred in the United States and in the largest European nations. Examining both the macro dynamics (national but also supra national) and the micro level, utilizing samples of big corporations and going deeply into some company cases, this volume identifies some important protagonists of the Italian and Spanish economies (such as the State, families and foreign investors) and investigates a wider panorama which includes the political, economic and social relationships of the corporations, providing insights into the form of capitalism that exists in these countries.


Rise and fall of the italian film industry

Автор: Nicoli, Marina (bocconi University, Italy)
Название: Rise and fall of the italian film industry
ISBN: 1138340782 ISBN-13(EAN): 9781138340787
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Описание:

Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and Marcello Mastroianni known to audiences around the world. But by the end of the 1980s, the Italian film industry was all but dead. The Rise and Fall of the Italian Film Industry traces the rise of the industry from its origins in the 19th century to its worldwide success in the 1960s, and its rapid decline in the subsequent decades. It does so by looking at cinema as an institution - subject to the interplay between the spheres of art, business, and politics at the national and international level.

By examining the roles of a wide range of stakeholders (including film directors, producers, exhibitors, the public, and the critics) as well as the system of funding and the influence of governments, author Marina Nicoli demonstrates that the Italian film industry succeeded when all three spheres were aligned, but suffered and ultimately failed when they each pursued contradictory objectives. This in-depth case study makes an important contribution to the long-standing debate about promoting and protecting domestic cultures, particularly in the face of culturally dominant and politically- and economically-powerful creative industries from the United States. The Rise and Fall of the Italian Film Industry will be of particular interest to business and economic historians, cinema historians, media specialists, and cultural economists.


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