Описание: The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Автор: Powell Larson, Shandley Robert Название: German Television: Historical and Theoretical Perspectives ISBN: 1785331124 ISBN-13(EAN): 9781785331121 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
Автор: Ahlers Название: Perspectives on German Popular Music ISBN: 1472479629 ISBN-13(EAN): 9781472479624 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
Автор: R. Purcell; R. Randall Название: 21st Century Perspectives on Music, Technology, and Culture ISBN: 1137497599 ISBN-13(EAN): 9781137497598 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Автор: Nehring, Neil Название: Popular music, gender and postmodernism ISBN: 0761908366 ISBN-13(EAN): 9780761908364 Издательство: Sage Publications Рейтинг: Цена: 13306.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This work documents the damage done by the migration of academic ideas into music journalism. The author synthesizes a number of fields including American and British academic and journalistic music criticism and aesthetic and literary history and theory from romanticism through to postmodernism.
Автор: Beare Название: The German Popular Play ‘Atis` and the Venetian Opera ISBN: 1107659027 ISBN-13(EAN): 9781107659025 Издательство: Cambridge Academ Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1938, this book presents an account of the conversion of Italian operas into popular plays in the German language during the period 1675-1722. The account is based around a historical study of the play Atis, inquiring into its sources and providing information on the form and stage setting of the foreign operas it resembles.
Автор: Hajdu David Название: Pop: A History of Popular Music in America ISBN: 0374170533 ISBN-13(EAN): 9780374170530 Издательство: Holtzbrink(MPS)/MPS Рейтинг: Цена: 2483.00 р. Наличие на складе: Нет в наличии.
Описание:
A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic
David Hajdu begins "Love for Sale," his personal history of recorded pop music, in an unexpected place--not with nostalgic reminiscences of the 45s of his youth but with the sheet-music era at the end of the nineteenth century. It was not so much the beginning of popular music--many songs were already popular--as it was the beginning of the popular music industry." "And if he's going to understand what his 45s meant to him, this is the place to start: the rise of Tin Pan Alley, of minstrelsy, of million-copy sellers and one-hit wonders and cultural arbiters decrying the baseness, simplicity, and signs of the end of times in popular music.
From there, Hajdu takes us on more unexpected routes through the history of pop music--back to Alexander Graham Bell and the invention of records . . . and to his grandmother's collection of Italian crooners on shellac records that young Hajdu liberated from her New Jersey basement. And neither Italians nor New Jersey are incidental to his story--not just because of Frank Sinatra but because Hajdu's mom, a waitress in a chrome-clad diner on Route 22, helped shape the fate of a budding young music critic by introducing him to one of the diner's most prominent patrons, the writer of the timeless song "I'm from New Jersey."
"Love for Sale" does ultimately spin through more familiar territory--the Cotton Club, the rise of radio, the battle of disco versus punk for the soul of New York as Hajdu made his chops as a critic, the rise of hip-hop, and the current atomization of the music landscape--but it is always with a unique, insightful, and eloquently presented point of view, as one would expect from one of our most celebrated music critics.
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