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Law and TV Series, Andrzejewski Adam, Salwa Mateusz


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Автор: Andrzejewski Adam, Salwa Mateusz
Название:  Law and TV Series
ISBN: 9789004387874
Издательство: Brill
Классификация:


ISBN-10: 9004387870
Обложка/Формат: Paperback
Страницы: 74
Вес: 0.12 кг.
Дата издания: 30.08.2018
Серия: Arts
Язык: English
Размер: 231 x 155 x 5
Читательская аудитория: Professional and scholarly
Ключевые слова: History of art / art & design styles,Philosophy: aesthetics,Jurisprudence & general issues
Поставляется из: Англии
Описание: The aim of this essay is to analyse TV series from the point of view of philosophical aesthetics. Aiming to show how philosophy may contribute to seriality studies, Andrzejewski and Salwa focus on seriality as a factor which defines the structure of TV series, their aesthetic properties, as well as their modes of reception. TV series have been studied within media theory and cultural studies for quite a long time, but they have been approached mainly in terms of their production, distribution, and consumption across various and changing social contexts. Following the agenda of philosophical aesthetics Andrzejewski and Salwa claim instead seriality implies a sort of normativity, i.e. that it is possible to indicate what features a television show has to have in order to be a serial show as well as the manner in which it should be watched if it is to be experienced as a serial work.


Illusion in painting

Автор: Salwa, Mateusz
Название: Illusion in painting
ISBN: 3631640528 ISBN-13(EAN): 9783631640524
Издательство: Peter Lang
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Описание: This book aims to present trompe-l’?il painting, which epitomizes the myth of the illusionistic image – an early modern way of thinking about pictures, according to which it is possible to create an image identical to what it represents that at the same time preserves its own pictorial identity. Trompe-l’?il, despite being a marginal genre, embodied an ideal that painting should attain, and therefore is a good point of departure for analyzing issues such as (aesthetic) illusion in art. As the myth undermines Plato’s aesthetics, it is his philosophy of art, with its dichotomies of appearance/reality or mimesis/diegesis that offers the most useful context for the discussion of this topic and shows that trompe-l’?il is a playful and ironic genre, which has cognitive value as well.


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