Mortimer Lorraine Roger Sandall`s Films and Contemporary Anthropology: Explorations in the Aesthetic, the Existential, and the Possible 9780253043948

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Автор: Mortimer Lorraine
Название: Roger Sandall`s Films and Contemporary Anthropology: Explorations in the Aesthetic, the Existential, and the Possible
ISBN: 9780253043948
Издательство: Mare Nostrum (Eurospan)
Классификация:

Теория и критика кино

Социальная и культурная антропология, этнография

ISBN-10: 0253043948
Обложка/Формат: Hardback
Страницы: 352
Вес: 0.73 кг.
Дата издания: 12.09.2019
Язык: English
Иллюстрации: 30 illustrations, black and white
Размер: 165 x 242 x 24
Ключевые слова: Social & cultural anthropology, ethnography,Film theory & criticism, ART / Film & Video,SOCIAL SCIENCE / Anthropology / Cultural,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: Explorations in the aesthetic, the existential, and the possible
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Поставляется из: Англии
Описание: In Roger Sandalls Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandalls films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandalls aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.
Дополнительное описание: Acknowledgments
Introduction
1. Trusting the Material: Ma?z (1962)
2. Environments Fit for the Spirit: The Flahertys, Sandall, and some Anarchist Anthropology
3. They Were Still Participants: The Ritual Films (1966-1976)
4.

Roger Sandall`s Films and Contemporary Anthropology: Explorations in the Aesthetic, the Existential, and the Possible, Mortimer Lorraine