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Styling Blackness in Chile: Music and Dance in the African Diaspora, Wolf Juan Eduardo


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Автор: Wolf Juan Eduardo
Название:  Styling Blackness in Chile: Music and Dance in the African Diaspora
ISBN: 9780253041142
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0253041147
Обложка/Формат: Paperback
Страницы: 252
Вес: 0.35 кг.
Дата издания: 30.04.2019
Язык: English
Иллюстрации: 25 b&w illus.
Размер: 228 x 152 x 16
Ключевые слова: Folklore, myths & legends,Folk dancing, SOCIAL SCIENCE / Folklore & Mythology,HISTORY / Latin America / South America,MUSIC / Ethnomusicology,PERFORMING ARTS / Dance / Folk
Подзаголовок: Music and dance in the african diaspora
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Поставляется из: Англии
Описание: Chile had long forgotten about the existence of the countrys Black population when, in 2003, the music and dance called the tumbe carnaval appeared on the streets of the city of Arica. Featuring turbaned dancers accompanied by a lively rhythm played on hide-head drums, the tumbe resonated with cosmopolitan images of what the African Diaspora looks like, and so helped bring attention to a community seeking legal recognition from the Chilean government which denied its existence.
Tumbe carnaval, however, was not the only type of music and dance that Afro-Chileans have participated in and identified with over the years. In Styling Blackness in Chile, Juan Eduardo Wolf explores the multiple ways that Black individuals in Arica have performed music and dance to frame their Blackness in relationship to other groups of performers—a process he calls styling. Combining ethnography and semiotic analysis, Wolf illustrates how styling Blackness as Criollo, Moreno, and Ind?gena through genres like the baile de tierra, morenos de paso, and caporales simultaneously offered individuals alternative ways of identifying and contributed to the invisibility of Afro-descendants in Chilean society. While the styling of the tumbe as Afro-descendant helped make Chiles Black community visible once again, Wolf also notes that its success raises issues of representation as more people begin to perform the genre in ways that resonate less with local cultural memory and Afro-Chilean activists goals. At a moment when Chiles government continues to discuss whether to recognize the Afro-Chilean population and Chilean society struggles to come to terms with an increase in Latin American Afro-descendant immigrants, Wolfs book raises awareness of Blackness in Chile and the variety of Black music-dance throughout the African Diaspora, while also providing tools that ethnomusicologists and other scholars of expressive culture can use to study the role of music-dance in other cultural contexts.

Дополнительное описание: Acknowledgements
Accessing Audiovisual Materials
Introduction: Of Stereotypes and Styling
Part I: Styling Blackness as Afro-descendant
1. The Disappearance of Blackness and the Emergence of Afro-descendants in Chile
2. Tumbe Carna




Styling Blackness in Chile: Music and Dance in the African Diaspora

Автор: Wolf Juan Eduardo
Название: Styling Blackness in Chile: Music and Dance in the African Diaspora
ISBN: 0253041139 ISBN-13(EAN): 9780253041135
Издательство: Mare Nostrum (Eurospan)
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Цена: 10032.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Chile had long forgotten about the existence of the country's Black population when, in 2003, the music and dance called the tumbe carnaval appeared on the streets of the city of Arica. Featuring turbaned dancers accompanied by a lively rhythm played on hide-head drums, the tumbe resonated with cosmopolitan images of what the African Diaspora looks like, and so helped bring attention to a community seeking legal recognition from the Chilean government which denied its existence.
Tumbe carnaval, however, was not the only type of music and dance that Afro-Chileans have participated in and identified with over the years. In Styling Blackness in Chile, Juan Eduardo Wolf explores the multiple ways that Black individuals in Arica have performed music and dance to frame their Blackness in relationship to other groups of performers—a process he calls styling. Combining ethnography and semiotic analysis, Wolf illustrates how styling Blackness as Criollo, Moreno, and Ind?gena through genres like the baile de tierra, morenos de paso, and caporales simultaneously offered individuals alternative ways of identifying and contributed to the invisibility of Afro-descendants in Chilean society. While the styling of the tumbe as Afro-descendant helped make Chile's Black community visible once again, Wolf also notes that its success raises issues of representation as more people begin to perform the genre in ways that resonate less with local cultural memory and Afro-Chilean activists' goals. At a moment when Chile's government continues to discuss whether to recognize the Afro-Chilean population and Chilean society struggles to come to terms with an increase in Latin American Afro-descendant immigrants, Wolf's book raises awareness of Blackness in Chile and the variety of Black music-dance throughout the African Diaspora, while also providing tools that ethnomusicologists and other scholars of expressive culture can use to study the role of music-dance in other cultural contexts.

Dictionary Of Symbols, A

Автор: Cirlot, Juan Eduardo
Название: Dictionary Of Symbols, A
ISBN: 1681371979 ISBN-13(EAN): 9781681371979
Издательство: Random House (USA)
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Цена: 3214.00 р.
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Описание: A classic encyclopedia of symbols by Catalan polymath Joan Cirlot that illuminates the symbolic underpinnings of myth, modern psychology, literature, and art.

Juan Eduardo Cirlot's A Dictionary of Symbols is a feat of scholarship, an act of the imagination, and a tool for contemplation, as well as a work of literature, a reference book that is as indispensable as it is brilliant and learned. Cirlot was a composer, a poet, an art critic, and a champion of modern art whose interest in surrealism helped to bring him to the study of symbolism. Carl Jung, Mircea Eliade, Ren Gu non, Erich Fromm, and Gaston Bachelard also helped to shape his thinking in a book that explores the space between the world at large and the world within, where, as Cirlot sees it, nothing is meaningless, everything is significant, and everything is in some way related to something else. Running from "abandonment" to "zone" by way of "flute" and "whip," spanning the cultures of the world, and including a wealth of visual images to further bring the reality of the symbol home, A Dictionary of Symbols, here published for the first time in English in its original, significantly enlarged form, is a luminous and illuminating investigation of the works of eternity in time.


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