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Anonymous Life: Romanticism and Dispossession, Khalip Jacques


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Автор: Khalip Jacques
Название:  Anonymous Life: Romanticism and Dispossession
ISBN: 9780804758406
Издательство: Wiley EDC
Классификация:
ISBN-10: 0804758409
Обложка/Формат: Hardcover
Страницы: 235
Вес: 0.45 кг.
Дата издания: 01.10.2008
Язык: English
Размер: 231 x 150 x 23
Читательская аудитория: Undergraduate
Подзаголовок: Romanticism and dispossession
Рейтинг:
Поставляется из: Англии
Описание:

Romanticism is often synonymous with models of identity and action that privilege individual empowerment and emotional autonomy. In the last two decades, these models have been the focus of critiques of Romanticisms purported self-absorption and alienation from politics. While such critiques have proven useful, they often draw attention to the conceptual or material tensions of romantic subjectivity while accepting a conspicuous, autonomous subject as a given, thus failing to appreciate the possibility that Romanticism sustains an alternative model of being, one anonymous and dispossessed, one whose authority is irreducible to that of an easily recognizable, psychologized persona. In Anonymous Life, Khalip goes against the grain of these dominant critical stances by examining anonymity as a model of being that is provocative for writers of the era because it resists the Enlightenment emphasis on transparency and self-disclosure. He explores how romantic subjectivity, even as it negotiates with others in the social sphere, frequently rejects the demands of self-assertion and fails to prove its authenticity and coherence.




Releasing the Image: From Literature to New Media

Автор: Khalip Jacques, Mitchell Robert, Agamben Giorgio
Название: Releasing the Image: From Literature to New Media
ISBN: 080476137X ISBN-13(EAN): 9780804761376
Издательство: Wiley EDC
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Цена: 15616.00 р.
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Описание:

It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from C?zanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.


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