Five or Ten Minutes of Blind Confusion: The Battle of Aiken, South Carolina, February 11,1865, Wittenberg Eric J.
Автор: Wittenberg Eric J. Название: We Ride a Whirlwind: Sherman and Johnston at Bennett Place ISBN: 1945602023 ISBN-13(EAN): 9781945602023 Издательство: Неизвестно Цена: 6026.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Wittenberg Eric J. Название: We Ride a Whirlwind: Sherman and Johnston at Bennett Place ISBN: 1945602031 ISBN-13(EAN): 9781945602030 Издательство: Неизвестно Цена: 3440.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Global Pentecostalism is a twenty-first century phenomenon. Yet in North America, where the movement was born, it has stalled. Courey uncovers the cause of this plateau in the triumphalism that is characteristic of both North American Protestantism and Pentecostalism. Through the identification of parallels between Martin Luther and contemporary Pentecostals, Courey detects in Luther's Theology of the Cross a potent remedy for this tension. Utilising this insight, Courey reflects on other faith traditions, and provides a counterpoint to the triumphalism that inhibits the development of Pentecostalism in North America and around the world. This work comprises of three parts. The first is historical, charting the antecedents and development of Pentecostal triumphalism. The second is an experiment in historical theology, seeking basic resonances between Luther and early Pentecostals, and examining the Theology of the Cross as a means of probing Pentecostalism. The final section is an effort in constructive theology, applying the theologia crucis to some of the central aspects of Pentecostalism.
Автор: Wittenberg David Название: Time Travel: The Popular Philosophy of Narrative ISBN: 0823249972 ISBN-13(EAN): 9780823249978 Издательство: Wiley EDC Рейтинг: Цена: 4803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book argues that time travel fiction is a narrative “laboratory,” a setting for thought experiments in which essential theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are represented in the form of literal devices and plots. Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, the book links innovations in time travel fiction to specific shifts in the popularization of science, from evolutionary biology in the late 1800s, through relativity and quantum physics in the mid–20th century, to more recent “multiverse” cosmologies. Wittenberg shows how increasing awareness of new scientific models leads to surprising innovations in the literary “time machine,” which evolves from a “vehicle” used chiefly for sociopolitical commentary into a psychological and narratological device capable of exploring with great sophistication the temporal structure and significance of subjects, viewpoints, and historical events. The book covers work by well-known time travel writers such as H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, as well as pulp fiction writers of the 1920s through the 1940s, popular and avant-garde postwar science fiction, television shows such as “The Twilight Zone” and “Star Trek,” and current cinema. Literature, film, and TV are read alongside theoretical work ranging from Einstein, Schr?dinger, and Stephen Hawking to G?rard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers.
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