The Limits of Realism: Chinese Fiction in the Revolutionary Period, Anderson Marston
Автор: Pepe Teresa Название: Blogging from egypt ISBN: 1474433995 ISBN-13(EAN): 9781474433990 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Six years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. Such blogs are explored here as forms of digital literature, combining literary analysis and interviews with the authors.
Автор: Morris Pam Название: Jane Austen, Virginia Woolf and Worldly Realism ISBN: 1474437699 ISBN-13(EAN): 9781474437691 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using close readings from `Sense and Sensibility`, `Mrs Dalloway`, `Emma`, `The Waves`, `Persuasion` and `The Years`, this bookdemonstrates the materialist sensibilities of Austen and Woolf.
Автор: Katherine Bowers, Ani Kokobobo Название: Russian Writers and the Fin de Siecle: The Twilight of Realism ISBN: 1107423074 ISBN-13(EAN): 9781107423077 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An essay collection that explores late nineteenth-century Russian literature and culture through close study of the ways in which writers, including Gogol, Turgenev, Dostoevsky, Tolstoy and Chekhov, approached the fin de siecle when the golden age of Russian realism was coming to an end.
Описание: Explores the politics of nineteenth-century British realism
Winner of the 2019 Robert Rhodes Prize for Books on Literature
Offers a new theory of institutions grounded in temporality
Outlines a transnational theory of British realism that emerges from interpreting Irish realist novels
Reassesses the politics of realism and the politics of institutions
Contains close-reading of realist novels as well as a new genealogy of British realism
Advances a new understanding of the relationship between realism and colonialism
This book examines anachronisms in realist writing from the colonial periphery to redefine British realism and rethink the politics of institutions. Paying unprecedented attention to nineteenth-century Irish novels, it demonstrates how institutions constrain social relationships in the present and limit our sense of political possibilities in the future. It argues that we cannot escape institutions, but we can refuse the narrow political future that they work to secure.
Описание: With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process.
Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other "paper tools," such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned "writing" into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism.
This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century.
Автор: Wilkins, Kim (university Of Queensland) Название: Elements in publishing and book culture ISBN: 1108445322 ISBN-13(EAN): 9781108445320 Издательство: Cambridge Academ Рейтинг: Цена: 2218.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Considering young adult fantasy (YA fantasy) texts alongside the way they are circulated and marketed, this Element aims to show that the YA fantasy genre is a dynamic formation that takes shape and reshapes itself responsively in a continuing process over time.
Описание: In Irish fiction, the most famous example of the embrace of damnation in order to gain freedom—politically, religiously, and creatively—is Joyce’s Stephen Dedalus. His “non serviam,” though, is not just the profound rebellion of one frustrated young man, but, as Brivic demonstrates in this sweeping account of twentieth-century Irish fiction, the emblematic and necessary standpoint for any artist wishing to envision something truly new.Because Irish culture was largely dictated by the Catholic Church and its conservatism, the most ambitious Irish writers, like Joyce, Beckett, and the ten others Brivic presents here, saw the privileges of damnation and seized them, rejecting powerful norms of church, state, and culture, as well as of literary form, voice, and character, to produce some of the most radical work of the twentieth century. Brivic links the work of writers such as Flann O’Brien, Patrick McCabe, and Anne Enright to the theories of Alain Badiou. His mathematical procedure for distinguishing what is truly innovative informs the progressive political and philosophical thrust that these writers at their best carry on from Joyceand Beckett to unfold a fierce tradition that extends into the twenty-first century.
Описание: In Irish fiction, the most famous example of the embrace of damnation in order to gain freedom is Joyce`s Stephen Dedalus. His "non serviam," though, is not just the profound rebellion of one frustrated young man, but, as Brivic demonstrates in this sweeping account of twentieth-century Irish fiction, the emblematic and necessary standpoint for any artist wishing to envision something truly new.
Carlos Bulosan—Revolutionary Filipino Writer in the United States: A Critical Appraisal is an in-depth, critical evaluation of Bulosan's major works in the context of the sociopolitical changes that configured his sensibility during the Depression, the united-front mobilization prior to World War II, and the Cold War witch-hunting of the fifties. Unprecedented for its thorough historical-materialist analysis of the symbolic dynamics of the texts, this book uses original research into the Sanora Babb papers that have never before been linked to Bulosan. Sophisticated dialectical analysis of the complex contradictions in Bulosan’s life is combined with a politico-ethical reading of U.S.-Philippines relations. San Juan takes the unorthodox view that Bulosan’s career was not an immigrant success story but instead a subversive project of an organic intellectual of a colonized nation-in-the-making. Today, Bulosan is hailed as a revolutionary Filipino writer, unparalleled in the racialized, conflicted history of the Philippines as a colony/dependency of the United States. This book follows San Juan’s pioneering 1972 study Carlos Bulosan and the Imagination of the Class Struggle.
Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.
Автор: Ursula Kluwick Название: Exploring Magic Realism in Salman Rushdie`s Fiction ISBN: 0415897785 ISBN-13(EAN): 9780415897785 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book proposes a new definition of magic realism which acknowledges the importance of disharmony and ambivalence in the combination of realist and supernatural elements. As the first study to consider the entire corpus of Rushdie`s magic realist fiction, it offers fresh insights into his oeuvre.
Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions against which this book argues: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.
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