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The Cottingley Fairies, Sender Ana


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Цена: 1899.00р.
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Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Англия: Есть  
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
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Автор: Sender Ana
Название:  The Cottingley Fairies
ISBN: 9780735843387
Издательство: Northsouth Books
Классификация:
ISBN-10: 0735843384
Обложка/Формат: Hardcover
Страницы: 48
Вес: 0.36 кг.
Дата издания: 05.03.2019
Язык: English
Размер: 282 x 222 x 10
Рейтинг:
Поставляется из: Англии
Описание: ...an intriguing, enchantingly rendered real fairy tale. - Kirkus Reviews

Elsie and Frances feel sad for adults who simply cant see the magic in the forests around them. If only they could see what we see.

In 1918, Elsie Wright and her cousin Frances Griffith photographed fairies in their garden, in the small village of Cottingley (Yorkshire). Without expecting it, many people paid attention--including renowned writer and spiritualist Sir Arthur Conan Doyle. This is the story, narrated by Elsie herself, of the true events that led to the Cottingley Fairies becoming a international phenomenon.



Makeover

Автор: Katherine Sender
Название: Makeover
ISBN: 0814740707 ISBN-13(EAN): 9780814740705
Издательство: Wiley EDC
Рейтинг:
Цена: 4631.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Watch this show, buy this product, you can be a whole new you!

Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little.
The Makeover is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. Katherine Sender argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. Sender, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows’ imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The Makeover intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward.


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