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Cambridge studies on civil rights and civil liberties, Blocher, Joseph Miller, Darrell A. H.


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Автор: Blocher, Joseph Miller, Darrell A. H.
Название:  Cambridge studies on civil rights and civil liberties
ISBN: 9781316611289
Издательство: Cambridge Academ
Классификация:



ISBN-10: 1316611280
Обложка/Формат: Paperback
Страницы: 212
Вес: 0.31 кг.
Дата издания: 13.09.2018
Серия: Cambridge studies on civil rights and civil liberties
Язык: English
Размер: 155 x 229 x 10
Читательская аудитория: Professional and scholarly
Ключевые слова: Politics & government,Political science & theory,Central government,Laws of Specific jurisdictions,Constitutional & administrative law, LAW / Constitutional
Подзаголовок: Rights, regulation, and the future of heller
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: There are few issues in American law and politics as intensely debated as gun rights and regulation. No book has offered an account of the Second Amendment as comprehensive, readable, and scholarly as this one. It will be of interest to anyone who cares about politics, law, and the constitution.


Free Speech Beyond Words: The Surprising Reach of the First Amendment

Автор: Tushnet Mark V., Chen Alan K., Blocher Joseph
Название: Free Speech Beyond Words: The Surprising Reach of the First Amendment
ISBN: 1479880280 ISBN-13(EAN): 9781479880287
Издательство: Mare Nostrum (Eurospan)
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Цена: 12289.00 р.
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Описание: A look at First Amendment coverage of music, non-representational art, and nonsense The Supreme Court has unanimously held that Jackson Pollock's paintings, Arnold Schoenberg's music, and Lewis Carroll's poem -Jabberwocky- are -unquestionably shielded- by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting -the freedom of speech, - even though none involves what we typically think of as speech--the use of words to convey meaning.

As a legal matter, the Court's conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as -speech- for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy?

Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of -speech.- While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment.


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