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Vasari`s Words, Biow Douglas


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Автор: Biow Douglas
Название:  Vasari`s Words
ISBN: 9781108472050
Издательство: Cambridge Academ
Классификация:

ISBN-10: 1108472052
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.58 кг.
Дата издания: 18.10.2018
Серия: Arts
Язык: English
Иллюстрации: Worked examples or exercises; 00 printed music items; 00 tables, unspecified; 00 tables, color; 00 tables, black and white; 00 plates, unspecified; 00 plates, color; 00 plates, black and white; 00 halftones, unspecified; 00 halftones, color; 41 halft
Размер: 420 x 384 x 18
Читательская аудитория: Professional and scholarly
Ключевые слова: The arts,History of art & design styles: c 1400 to c 1600,Renaissance art,Literary studies: c 1500 to c 1800,Humanities,History,General & world history,Early modern history: c 1450/1500 to c 1700, ART / General
Подзаголовок: The `lives of the artists` as a history of ideas in the italian renaissance
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: This book explores through keywords how Vasari`s Lives is designed to address from beginning to end a variety of compelling ideas circulating in Renaissance Italy. Written in an entertaining, down-to-earth manner for specialists and non-specialists, it places the Lives within the context of the modern discipline of intellectual history.


In Your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy

Автор: Biow Douglas
Название: In Your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy
ISBN: 0804762163 ISBN-13(EAN): 9780804762168
Издательство: Wiley EDC
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Цена: 3430.00 р.
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Описание:

In Your Face concentrates on the Renaissance concern with "self-fashioning" by examining how a group of Renaissance artists and writers encoded their own improprieties in their works of art. In the elitist court society of sixteenth-century Italy, where moderation, limitation, and discretion were generally held to be essential virtues, these men consistently sought to stand out and to underplay their conspicuousness at once. The heroes (or anti-heroes) of this book—Michelangelo Buonarroti, Benvenuto Cellini, Pietro Aretino, and Anton Francesco Doni—violated norms of decorum by promoting themselves aggressively and by using writing or artworks to memorialize their assertiveness and intractable delight in parading themselves as transgressive and insubordinate on a grand scale. Focusing on these sorts of writers and visual artists, Biow constructs a version of the Italian Renaissance that is neither the elegant one of Castiglione's and Vasari's courts—so recently favored in scholarly accounts—nor the dark, conspiratorial one of Niccol? Machiavelli's and Francesco Guicciardini's princely states.


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