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Joao gilberto and stan getz`s getz/gilberto, Mccann, Bryan Daniel (georgetown University, Usa)


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Автор: Mccann, Bryan Daniel (georgetown University, Usa)
Название:  Joao gilberto and stan getz`s getz/gilberto
ISBN: 9781501323966
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501323962
Обложка/Формат: Hardback
Страницы: 152
Вес: 0.28 кг.
Дата издания: 29.11.2018
Серия: 33 1/3 brazil
Язык: English
Иллюстрации: 11 bw illus
Размер: 136 x 211 x 11
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Music reviews & criticism,Jazz,World music,Individual composers & musicians, specific bands & groups, MUSIC / Ethnomusicology,MUSIC / Genres & Styles / Jazz,MUSIC / History & Criticism,MUSIC / Individual Composer & Musician
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Поставляется из: Англии
Описание:

Most die-hard Brazilian music fans would argue that Getz/Gilberto, the iconic 1964 album featuring The Girl from Ipanema, is not the best bossa nova record. Yet weve all heard The Girl from Ipanema as background music in a thousand anodyne settings, from cocktail parties to telephone hold music. So how did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides?

Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova Jo o Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. McCann also reveals the contributions of the less-understood participants (Astrud Gilbertos unrehearsed, English-language vocals; Creed Taylors immaculate production; Olga Albizus arresting, abstract-expressionist cover art) to show how a perfect balance of talents led to not just a great album, but a global pop sensation. And he explains how Getz/Gilberto emerged from the context of Bossa Nova Rio de Janeiro, the brief period when the subtle harmonies and aching melodies of bossa nova seemed to distill the spirit of a modernizing, sensuous city.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.




Cyberformalism

Автор: Shore, Daniel (georgetown University)
Название: Cyberformalism
ISBN: 1421425505 ISBN-13(EAN): 9781421425504
Издательство: Wiley
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Цена: 6811.00 р.
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A groundbreaking study of how abstract linguistic signs circulate in literature, intellectual history, and popular culture.

Linguistic forms are essential to meaning: like words, they make a semantic contribution to the things we say. We inherit them from past writers and speakers and fill them with different words to produce novel utterances. They shape us and the ways we interpret the world. Yet prevalent assumptions about language and the constraints of print-finding tools have kept linguistic forms and their histories hidden from view.

Drawing on recent work in cognitive and construction grammar along with tools and methods developed by corpus and computational linguists, Daniel Shore's Cyberformalism represents a new way forward for digital humanities scholars seeking to understand the textual past. Championing a qualitative approach to digital archives, Shore uses the abstract pattern-matching capacities of search engines to explore precisely those combinatory aspects of language--word order, syntax, categorization--discarded by the "bag of words" quantitative methods that are dominant in the digital humanities.

While scholars across the humanities have long explored the histories of words and phrases, Shore argues that increasingly sophisticated search tools coupled with growing full-text digital archives make it newly possible to study the histories of linguistic forms. In so doing, Shore challenges a range of received metanarratives and complicates some of the most basic concepts of literary study. Touching on canonical works by Shakespeare, Milton, Wordsworth, and Kant, even as it takes the full diversity of digitized texts as its purview, Cyberformalism asks scholars of literature, history, and culture to revise nothing less than their understanding of the linguistic sign.


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