Gaudio, Michael Bible and the printed image in early modern england 9781138353299

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Автор: Gaudio, Michael
Название: Bible and the printed image in early modern england
ISBN: 9781138353299
Издательство: Taylor&Francis
Классификация:

Общие вопросы искусства

Религиозные объекты в изобразительном искусстве

ISBN-10: 1138353299
Обложка/Формат: Paperback
Страницы: 196
Вес: 0.46 кг.
Дата издания: 21.11.2018
Серия: Visual culture in early modernity
Язык: English
Иллюстрации: 16 halftones, color; 85 halftones, black and white; 101 illustrations, black and white
Размер: 174 x 246 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: The arts: general issues, ART / Subjects & Themes / Religious,HISTORY / Europe / Great Britain,RELIGION / Biblical Studies / General
Подзаголовок: Little gidding and the pursuit of scriptural harmony
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Поставляется из: Европейский союз
Описание: The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the familys collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets engagement with the print fragment, this book extends the scope of early modern print history beyond the printmakers studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.

Bible and the printed image in early modern england, Gaudio, Michael