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Picturing the `Pregnant` Magdalene in Northern Art, 1430-1550, Jolly


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Автор: Jolly
Название:  Picturing the `Pregnant` Magdalene in Northern Art, 1430-1550
ISBN: 9781472414953
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1472414950
Обложка/Формат: Hardback
Страницы: 290
Вес: 0.78 кг.
Дата издания: 01.01.2014
Серия: Women and gender in the early modern world
Язык: English
Размер: 164 x 235 x 22
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: The arts: general issues, ART / History / Renaissance,ART / Subjects & Themes / Religious
Основная тема: Art & Visual Culture
Подзаголовок: Addressing and Undressing the Sinner-Saint
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Examining innovations in Mary Magdalene imagery-including her dress-in northern art 1430 to 1550, Penny Jolly explores how the saint`s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet.


Picturing Reform in Victorian Britain

Автор: Carlisle
Название: Picturing Reform in Victorian Britain
ISBN: 1107479754 ISBN-13(EAN): 9781107479753
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Featuring a wide range of images, from paintings displayed at Royal Academy exhibitions and in the Houses of Parliament to wood engravings in Punch and the Illustrated London News, this study offers new perspectives on the connections between Victorian art and politics by examining visualizations of franchise reform.

Journey - Book 1: The Magdalene

Автор: Graafsma Debbye
Название: Journey - Book 1: The Magdalene
ISBN: 0989321444 ISBN-13(EAN): 9780989321440
Издательство: Неизвестно
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Цена: 5862.00 р.
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Mary Magdalene in Medieval Culture

Название: Mary Magdalene in Medieval Culture
ISBN: 0415813158 ISBN-13(EAN): 9780415813150
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene?s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.

Picturing Marie Leszczinska (1703-1768)

Автор: Germann
Название: Picturing Marie Leszczinska (1703-1768)
ISBN: 1409455823 ISBN-13(EAN): 9781409455820
Издательство: Taylor&Francis
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Описание: Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. Appearing in royal chateaux and, after 1737, in the Parisian Salons, the queen's image was central to the visual construction of the monarchy. Her earliest portraits negotiated aspects of her ethnic difference, French gender norms, and royal rank to craft an image of an appropriate consort to the king. Later portraits by Maurice-Quentin de La Tour, Carle Van Loo, and Jean-Marc Nattier contributed to changing notions of queenship over the course of her 43 year tenure. Whether as royal wife, devout consort, or devoted mother, Marie Leszczinska's image mattered. While she has often been seen as a weak consort, this study argues that queenly images were powerful and even necessary for Louis XV's projection of authority. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While this investigation is historically specific, it raises the larger problem of the power of women's images versus the empowerment of women, a challenge that continues to plague the representation of political women today.


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