The definitive guide to making a career in theater--to Broadway and beyond
Tiffany Haas knows how to make it on Broadway. After 72 No's in a row--72 auditions and 72 rejections--she finally landed a role in Broadway's long-running smash hit Wicked and later became "Glinda the Good." Now she wants to share her advice for starting and nurturing a career in the theater. Waiting in the Wings the essential guide for anyone who wants to have a theatrical career, whether they're complete newbies or already have some professional credits.
Based on everything she learned on her journey to New York, including 10 years on Broadway, Tiffany shares the information that you need to succeed in theater. Everyone's path is a little bit different, but the principles for success are always the same. With advice on auditions, how to become the performer they want to hire, developing relationships with cast mates, finding a reputable agent, the importance of reputation, and the best way to shape and build your career, Tiffany covers every aspect of the business. You'll learn what it takes to be successful and where to best spend your time and effort as you navigate the "great mystery" of pursuing musical theater.
In an industry that is famed for its insider secrets, Tiffany draws back the curtain, giving readers the knowledge and tools they need to follow their dreams. If you're one of those people Waiting in the Wings for a big Broadway career, Tiffany Haas's book is the one resource you need to land a big role, stand in front of those footlights and let it go
A pioneering, richly interdisciplinary volume, this is the first work in any language on a subject that has long attracted interest in the West and is now of consuming interest in Russia itself. The cultural ferment unleashed by the collapse of the Soviet Union reawakened interest in the study of Russian religion and spirituality. This book provides a comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.
Bernice Glatzer Rosenthal's introduction delineates the characteristics of occult cosmology which distinguish it from mysticism and theology, and situates Russian occultism in historical and pan-European contexts. Contributors explore the varieties of occult thinking characteristic of prerevolutionary Russia, including Kabbala, theosophy, anthroposophy, and the fascination with Satanism. Other contributors document occultism in the cultural life of the early Soviet period, examine the surprising traces of the occult in the culture of the high Stalin era, and describe the occult revival in contemporary Russia. The volume includes bibliographical essays on Russian occult materials available outside Russia.
Contributors: Mikhail Agursky, Hebrew University; Valentina Brougher, Georgetown University; Maria Carlson, University of Kansas; Robert Davis, New York Public Library; Mikhail Epstein, Emory University; Kristi Groberg, North Dakota State University; Irina Gutkin, UCLA; Michael Hagemeister, Ruhr University, Bochum; Linda Ivanits, Pennsylvania State University; Edward Kasinec, New York Public Library; Judith Deutsch Kornblatt, University of Wisconsin; Hakan L?vgren, Independent Scholar; Bernice Glatzer Rosenthal, Fordham University; William F. Ryan, Warburg Institute, London; Holly Denio Stephens, University of Kansas; Anthony Vanchu, University of Texas, Austin; Renata Von Maydell, Munich University; George Young, Independent Scholar
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