Автор: Nehring, Neil Название: Popular music, gender and postmodernism ISBN: 0761908366 ISBN-13(EAN): 9780761908364 Издательство: Sage Publications Рейтинг: Цена: 13306.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This work documents the damage done by the migration of academic ideas into music journalism. The author synthesizes a number of fields including American and British academic and journalistic music criticism and aesthetic and literary history and theory from romanticism through to postmodernism.
Автор: Des Freedman, Jonathan Obar, Cheryl Martens, Robert W. McChesney Название: Strategies for Media Reform: International Perspectives ISBN: 082327165X ISBN-13(EAN): 9780823271658 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4891.00 р. Наличие на складе: Нет в наличии.
Описание:
Media reform plays an increasingly important role in the struggle for social justice. As battles are fought over the future of investigative journalism, media ownership, spectrum management, speech rights, broadband access, network neutrality, the surveillance apparatus, and digital literacy, what effective strategies can be used in the pursuit of effective media reform? Prepared by thirty-three scholars and activists from more than twenty-five countries, Strategies for Media Reform focuses on theorizing media democratization and evaluating specific projects for media reform. This edited collection of articles offers readers the opportunity to reflect on the prospects for and challenges facing campaigns for media reform and gathers significant examples of theory, advocacy, and activism from multinational perspectives.
Автор: Hughes Название: The New Music Industries ISBN: 331940363X ISBN-13(EAN): 9783319403632 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ‘direct’ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians to collaborate, communicate and interact with others interested in their music.
Автор: Jones Название: The Music Industries ISBN: 0230291481 ISBN-13(EAN): 9780230291485 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The music industry is undergoing immense change. This book argues that the transformations occurring across the various music industries - recording, live performance, publishing - can be characterised as much by continuity as by change, raising complex questions about the value of music commodities.
Описание: This book provides rare insights into the difficult and complex dialogues between stakeholders within and outside the music industries in a time of transition. It builds on a series of recorded meetings in which key stakeholders discuss and assess options and considerations for the music industries’ transition to a digital era. These talks were closed to the public and operated under the Chatham House Rule, which means that they involved a very different type of discussion from those held in public settings, panels or conferences. As such, the book offers a much more nuanced understanding of the industries’ difficulties in adjusting to changing conditions, demonstrating the internal power-struggles and differences that make digital change so difficult. After presenting a theoretical framework for assessing digital change in the music industries, the author then provides his research findings, including quotes from the Kristiansand Roundtable Conference. Following from these findings, he develops three critical concepts that explain the nature as well as the problems of the music industries’ adaptation process. In conclusion, he challenges the general definition of crisis in the music industries and contradicts the widely held view that digitalization is a case of vertical integration.
Автор: Hajdu David Название: Pop: A History of Popular Music in America ISBN: 0374170533 ISBN-13(EAN): 9780374170530 Издательство: Holtzbrink(MPS)/MPS Рейтинг: Цена: 2483.00 р. Наличие на складе: Нет в наличии.
Описание:
A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic
David Hajdu begins "Love for Sale," his personal history of recorded pop music, in an unexpected place--not with nostalgic reminiscences of the 45s of his youth but with the sheet-music era at the end of the nineteenth century. It was not so much the beginning of popular music--many songs were already popular--as it was the beginning of the popular music industry." "And if he's going to understand what his 45s meant to him, this is the place to start: the rise of Tin Pan Alley, of minstrelsy, of million-copy sellers and one-hit wonders and cultural arbiters decrying the baseness, simplicity, and signs of the end of times in popular music.
From there, Hajdu takes us on more unexpected routes through the history of pop music--back to Alexander Graham Bell and the invention of records . . . and to his grandmother's collection of Italian crooners on shellac records that young Hajdu liberated from her New Jersey basement. And neither Italians nor New Jersey are incidental to his story--not just because of Frank Sinatra but because Hajdu's mom, a waitress in a chrome-clad diner on Route 22, helped shape the fate of a budding young music critic by introducing him to one of the diner's most prominent patrons, the writer of the timeless song "I'm from New Jersey."
"Love for Sale" does ultimately spin through more familiar territory--the Cotton Club, the rise of radio, the battle of disco versus punk for the soul of New York as Hajdu made his chops as a critic, the rise of hip-hop, and the current atomization of the music landscape--but it is always with a unique, insightful, and eloquently presented point of view, as one would expect from one of our most celebrated music critics.
Название: Global glam and popular music ISBN: 1138821764 ISBN-13(EAN): 9781138821767 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world’s popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.
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