The Principles and Practice of Tonal Counterpoint, Jones
Автор: Green, Douglass Jones, Evan Название: Principles and practice of tonal counterpoint ISBN: 0415988667 ISBN-13(EAN): 9780415988667 Издательство: Taylor&Francis Рейтинг: Цена: 12554.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Deals with music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. This title studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.
Автор: Davidian Teresa Название: Tonal Counterpoint for the 21st-Century Musician: An Introduction ISBN: 1442234598 ISBN-13(EAN): 9781442234598 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 11405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition.
Автор: Hobson Vic Название: Creating Jazz Counterpoint ISBN: 1617039918 ISBN-13(EAN): 9781617039911 Издательство: Mare Nostrum (Eurospan) Цена: 9286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers a look at the blues roots of the New Orleans Jazz sound. This book describes in both historical and musical terms how the practices of quartet singing were converted to the instruments of a jazz band, and how this, in turn, produced collectively improvised, blues-inflected jazz, that unique sound of New Orleans.
Автор: Bent Margaret Название: Counterpoint, Composition and Musica Ficta ISBN: 1138966878 ISBN-13(EAN): 9781138966871 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Описание: There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agape Agape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.
Автор: Agustin-aquino, Octavio Alberto Junod, Julien Mazzola, Guerino Название: Computational counterpoint worlds ISBN: 331911235X ISBN-13(EAN): 9783319112350 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Computational Counterpoint Worlds
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