Keyboard Music Before 1700, 

Автор: Kovarsky Jerry
Название: Keyboard For Dummies
ISBN: 1118705491 ISBN-13(EAN): 9781118705490
Издательство: Wiley
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Цена: 3483.00 р.
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Описание: The easy way to get keyed up on the keyboard Where Piano For Dummies helps budding musicians to master the black-and-white musical keyboard, Keyboard For Dummies helps them understand the possibilities that unfold when those black-and-whites are connected to state-of-the-art music technology.

Автор: Williams
Название: Bach
ISBN: 1107139252 ISBN-13(EAN): 9781107139251
Издательство: Cambridge Academ
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Цена: 7445.00 р.
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Описание: J. S. Bach composed some of the best-loved and most moving music in western culture. In this book, Peter Williams, author of the acclaimed J. S. Bach: A Life in Music, revisits Bach`s biography through the lens of his music, especially that for keyboard.

Автор: Harlow
Название: Mozart`s Chamber Music with Keyboard
ISBN: 1107534283 ISBN-13(EAN): 9781107534285
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Internationally renowned scholars draw upon the latest Mozart research to explore the astounding creative achievements in, and the performance and reception of, Mozart`s sonatas with violin, keyboard trios and quartets, and quintet with winds. This is the first book in English devoted to Mozart`s much-loved chamber music with keyboard.

Автор: Ponsford
Название: French Organ Music in the Reign of Louis XIV
ISBN: 1316620743 ISBN-13(EAN): 9781316620748
Издательство: Cambridge Academ
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Цена: 3960.00 р.
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Описание: Ponsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal to all those who play, study and admire this unique repertory.

Автор: Yearsley
Название: Bach`s Feet
ISBN: 1316639835 ISBN-13(EAN): 9781316639832
Издательство: Cambridge Academ
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Цена: 4118.00 р.
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Описание: From 1500, the independent use of the feet in musical performance at the organ was unique to Germany and vital to its cultural standing in Europe. Yearsley presents an account of this mode of music-making spanning some 500 years, including reappraising J. S. Bach`s crucial role in that history.