In We Dream Together Anne Eller breaks with dominant narratives of conflict between the Dominican Republic and Haiti by tracing the complicated history of Dominican emancipation and independence between 1822 and 1865. Eller moves beyond the small body of writing by Dominican elites that often narrates Dominican nationhood to craft inclusive, popular histories of identity, community, and freedom, summoning sources that range from trial records and consul reports to poetry and song. Rethinking Dominican relationships with their communities, the national project, and the greater Caribbean, Eller shows how popular anticolonial resistance was anchored in a rich and complex political culture. Haitians and Dominicans fostered a common commitment to Caribbean freedom, the abolition of slavery, and popular democracy, often well beyond the reach of the state. By showing how the island's political roots are deeply entwined, and by contextualizing this history within the wider Atlantic world, Eller demonstrates the centrality of Dominican anticolonial struggles for understanding independence and emancipation throughout the Caribbean and the Americas.
Winner, 2019 Isis Duarte Book Prize, given by the Haiti/Dominican Republic Section of the Latin American Studies Association
Winner, 2019 Barbara Christian Literary Award, given by the Caribbean Studies Association
Highlights the histories and cultural expressions of the Dominican people
Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted--miscategorized or erased--the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance.
Dixa Ram rez places the Dominican people and Dominican expressive culture and history at the forefront of an insightful investigation of colonial modernity across the Americas and the African diaspora. In the process, she untangles the forms of free black subjectivity that developed on the island. From the nineteenth century national Dominican poet Salom Ure a to the diasporic writings of Julia Alvarez, Chiqui Vicioso, and Junot D az, Ram rez considers the roles that migration, knowledge production, and international divisions of labor have played in the changing cultural expression of Dominican identity. In doing so, Colonial Phantoms demonstrates how the centrality of gender, race, and class in the nationalisms and imperialisms of the West have profoundly impacted the lives of Dominicans. Ultimately, Ram rez considers how the Dominican people negotiate being left out of Western imaginaries and the new modes of resistance they have carefully crafted in response.
Описание: Any observer of Dominican political and literary discourse will quickly notice how certain notions of hyper-masculinity permeate the culture. Many critics will attribute this to an outgrowth of “traditional” Latin American patriarchal culture. Masculinity after Trujillo demonstrates why they are mistaken.In this extraordinary work, Maja Horn argues that this common Dominican attitude became ingrained during the dictatorship (1930–61) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it. Where previous studies have focused mainly on Spanish colonialism and the controversial sharing of the island with Haiti, Horn emphasizes the underexamined and lasting influence of U.S. imperialism and how it prepared the terrain for Trujillo’s hyperbolic language of masculinity. She also demonstrates how later attempts to emasculate the image of Trujillo often reproduced the same masculinist ideology popularized by his government.By using the lens of gender politics, Horn enables readers to reconsider the ongoing legacy of the Trujillato, including the relatively weak social movements formed around racial and ethnic identities, sexuality, and even labor. She offers exciting new interpretations of such writers as Hilma Contreras, Rita Indiana Hern?ndez, and Junot D?az, revealing the ways they successfully challenge dominant political and canonical literary discourses.
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