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Susan Sontag (Routledge Revivals), Sayres


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Автор: Sayres
Название:  Susan Sontag (Routledge Revivals)
ISBN: 9781138808607
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138808601
Обложка/Формат: Paperback
Страницы: 178
Вес: 0.33 кг.
Дата издания: 05.02.2016
Серия: Routledge revivals
Язык: English
Размер: 140 x 216 x 2
Читательская аудитория: Undergraduate
Ключевые слова: Literature: history & criticism, LITERARY CRITICISM / General,LITERARY CRITICISM / Women Authors
Основная тема: Women's Literature
Подзаголовок: The Elegiac Modernist
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: First published in 1990, this is the first book-length study of Susan Sontag: essayist and analyst if culture, author of ‘Notes on Camp’ and Illness as Metaphor, novelist, reviewer, and filmmaker. It was modernism, and the excitement it created in her, that rescued Sontag from childhood in Southern California and sent her abroad in the 1950s. Sohnya Sayres looks into the foundations and directions of Sontag’s imposing work and in doing so discovers a unity of design and subject that Sontag has only recently acknowledged to have been an ambition all along. Sayres’s Sontag is the elegiac modernist, committed to a modernism whose high noon has long since passed. And yet Sayres finds in Sontag’s lifelong indebtedness to modernism’s aesthetic an inherent conservatism. While guiding us through the work of a brilliant critic, Sayres questions whether Sontag is not herself caught in the paradoxes of the modernism she herself so much admires. A comprehensive analysis of the work of a remarkable intellectual, this title will be of value to any student of American modernism and literary life.


Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil

Автор: Nelson Deborah
Название: Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil
ISBN: 022645780X ISBN-13(EAN): 9780226457802
Издательство: Wiley
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Описание: This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a "cold eye" was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches.

Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere "school of the unsentimental" offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.


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