Описание: Engaging with Victorian scientific texts, popular and specialist periodicals and the work of leading mid-century novelists, including Charles Dickens, Charlotte Bronte and Wilkie Collins, Stella Pratt-Smith traces the synthesis of nineteenth-century electricity made possible by the combination of science, literature and the popular imagination. She
Автор: Marrs Название: Nineteenth-Century American Literature and the Long Civil War ISBN: 1107109833 ISBN-13(EAN): 9781107109834 Издательство: Cambridge Academ Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Nineteenth-century American literature is often divided into two asymmetrical halves, neatly separated by the Civil War. Focusing on the later writings of Walt Whitman, Frederick Douglass, Herman Melville, and Emily Dickinson, this book shows how the war took shape across the nineteenth century, inflecting literary forms for decades after 1865.
This book is about Anglo-American literary heritage. It argues that readers on both sides of the Atlantic shaped the contours of international ‘English’ in the 1800s, expressing love for books and authors in a wide range of media and social practices. It highlights how, in the wake of American independence, the affection bestowed on authors who became international objects of celebration and commemoration was a major force in the invention of transnational ‘English’ literature, the popular canon defined by shared language and tradition. While love as such is difficult to quantify and recover, the records of such affection survive not just in print, but also in other media: in monuments, in architecture, and in the ephemera of material culture. Thus, this collection brings into view a wide range of nineteenth-century expressions of love for literature and its creators.
Описание: Proposing the concept of transformation as a key to understanding the Victorian period, this collection explores the protean ways in which the nineteenth century conceived of, responded to, and created change. It focuses on literature, particularly issues related to genre, nationalism, and desire.
During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work.
Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied electricians contributed much to the birth of Frankenstein's children--the not completely benign effects of electricity on a new consumer world.
Originally published in 1998.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Описание: In this examination of the role of ornament in nineteenth-century French literature, Rae Beth Gordon shows that ornament, far from being a simple accessory, raises problems that are at the very heart of aesthetic experience: limits and their transgression, illusion and seduction, pleasure and tension, harmony and confusion, excess and marginality.
Описание: This book links literary works to psychological and philosophical beliefs of the Victorian era, by demonstrating a common concern among poets, novelists, philosophers, psychologists, and devotees of the occult with the question of whether thinking about someone can cause something to happen to them.
Описание: This edited collection from a distinguished group of contributors explores a range of topics including literature as imperialist propaganda, the representation of the colonies in British literature, the emergence of literary culture in the colonies and the creation of new gender roles such as `girl Crusoes` in works of fiction.
Описание: Theo Davis offers a fresh account of the emergence of a national literature in the United States. She analyses how American authors` prose seeks to create an art of abstract experience and reconsiders the place of form in literary studies today.
Описание: Moving boldly between literary analysis and political theory, contemporary and antebellum US culture, in this 2006 book Arthur Riss invites readers to rethink prevailing accounts of the relationship between slavery, liberalism, and literary representation. This revisionary argument promises to be unsettling for literary critics, political philosophers, and historians of US slavery.
Описание: Julia M. Wright examines how nineteenth-century Irish writers such as Maria Edgeworth, Lady Morgan, Bram Stoker, Oscar Wilde and Thomas Moore wrote about India, showing how their own experience of colonial subjection informed their work. In doing so she opens up new avenues in Irish studies and nineteenth-century literature.
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