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Angela Carter: Surrealist, Psychologist, Moral Pornographer, Dimovitz


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Автор: Dimovitz
Название:  Angela Carter: Surrealist, Psychologist, Moral Pornographer
ISBN: 9781472469663
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1472469666
Обложка/Формат: Hardback
Страницы: 212
Вес: 0.54 кг.
Дата издания: 01.03.2016
Язык: English
Иллюстрации: 1 tables, black and white
Размер: 234 x 158 x 18
Читательская аудитория: Professional & vocational
Ключевые слова: Literary studies: from c 1900 -, LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Gothic & Romance
Основная тема: 20th Century Literature
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Contributing to the conversation regarding Angela Carter`s problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, this book explores the intricate connections between Carter`s private life and her public writing.


Angela Carter: Surrealist, Psychologist, Moral Pornographer

Автор: Scott Dimovitz
Название: Angela Carter: Surrealist, Psychologist, Moral Pornographer
ISBN: 0367140292 ISBN-13(EAN): 9780367140298
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Contributing to the conversation regarding Angela Carter's problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, Scott Dimovitz explores the intricate connections between Carter's private life and her public writing. He begins with Carter's assertion that it was through her "sexual and emotional life" that she was radicalized, drawing extensively on the British Library's recently archived collection of Carter's private papers, journals, and letters to show how that radicalization happened and what it meant both for her worldview and for her writings. Through close textual analysis and a detailed study of her papers, Dimovitz analyzes the ways in which this second-wave feminist's explorations of sexuality merged with her investigations into surrealism and psychoanalysis, an engagement that ultimately led to the explosively surreal allegories of Carter's later, more complex, and more accomplished work. His study not only offers a new way to view Carter's oeuvre, but also makes the case for the importance of Angela Carter's vision in understanding the transformations in feminist thinking from the postwar to the postfeminist generation.

The Screen in Surrealist Art and Thought

Автор: Finkelstein
Название: The Screen in Surrealist Art and Thought
ISBN: 1138275085 ISBN-13(EAN): 9781138275089
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andre Breton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Rene Magritte, Max Ernst, Andre Masson, and Joan Miro. The concluding chapter considers several issues that dominate the Surrealist spatiality in the 1930s. Derived from the various spatial concepts associated with the screen paradigm, at times in contradistinction to them, these issues, as the author argues, reflect a gradual eclipse of the screen paradigm in the early years of the decade.

Angela carter and surrealism rpd

Автор: Watz, Anna (linkoeping University, Sweden)
Название: Angela carter and surrealism rpd
ISBN: 0367140284 ISBN-13(EAN): 9780367140281
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: In 1972, Angela Carter translated Xaviere Gauthier’s ground-breaking feminist critique of the surrealist movement, Surrealisme et sexualite (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.


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