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Religion in the Thought of Mikhail Bakhtin, Bagshaw


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Автор: Bagshaw
Название:  Religion in the Thought of Mikhail Bakhtin
ISBN: 9781138270671
Издательство: Taylor&Francis
Классификация:




ISBN-10: 1138270679
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.33 кг.
Дата издания: 09.09.2016
Серия: Routledge new critical thinking in religion, theology and biblical studies
Язык: English
Размер: 234 x 156 x 10
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Philosophy of religion, RELIGION / Theology
Основная тема: Religion and Philosophy
Подзаголовок: Reason and Faith
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: This book examines the significance of religion in the work of the twentieth century philosopher Mikhail Bakhtin. Exploring Bakhtins contribution to debates on methodology in the study of religion, this book argues that his use of religious terminology is derived from his source material in philosophy of religion and not from his confessional commitment to Russian Orthodox Christianity. Critiquing Gavin Floods important work Beyond Phenomenology, Hilary Bagshaw explains how Bakhtins work on outsideness presents invaluable insights for scholars of religion, particularly pertinent to the contemporary insider/outsider debate.


Bakhtin and Theatre

Автор: Mccaw
Название: Bakhtin and Theatre
ISBN: 1138891444 ISBN-13(EAN): 9781138891449
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

What did Bakhtin think about the theatre? That it was outdated? That is 'stopped being a serious genre' after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice?

Bakhtin and Theatre is the first book to explore the relation between Bakhtin's ideas and the theatre practice of his time.  In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky's pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky's death and Meyerhold's assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other's ideas. Bakhtin's early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.

Bakhtin and His Others

Автор: Steinby Liisa, Klapuri Tintti
Название: Bakhtin and His Others
ISBN: 178308331X ISBN-13(EAN): 9781783083312
Издательство: Неизвестно
Цена: 5518.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: 'Bakhtin and his Others' aims to develop an understanding of Mikhail Bakhtin's ideas through a contextual approach, particularly with a focus on Bakhtin studies from the 1990s onward. The volume offers fresh theoretical insights into Bakhtin's ideas on (inter)subjectivity and temporality - including his concepts of chronotope and literary polyphony - by reconsidering his ideas in relation to the sources he employs, and taking into account later research on similar topics. The case studies show how Bakhtin's ideas, when seen in light of this approach, can be constructively employed in contemporary literary research.

Bakhtin and Theatre

Автор: Mccaw Dick
Название: Bakhtin and Theatre
ISBN: 1138891452 ISBN-13(EAN): 9781138891456
Издательство: Taylor&Francis
Рейтинг:
Цена: 7654.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

What did Bakhtin think about the theatre? That it was outdated? That is 'stopped being a serious genre' after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice?

Bakhtin and Theatre is the first book to explore the relation between Bakhtin's ideas and the theatre practice of his time.  In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky's pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky's death and Meyerhold's assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other's ideas. Bakhtin's early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.


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