Brewer The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries 9781138247536

Варианты приобретения

Цена: 8726.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до: 2025-07-28
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Brewer
Название: The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
ISBN: 9781138247536
Издательство: Taylor&Francis
Классификация:

Театроведение

Барочная музыка (с 1600 до 1750)

Музыкальные инструменты и инструментальные ансамбли

ISBN-10: 1138247537
Обложка/Формат: Paperback
Страницы: 440
Вес: 0.81 кг.
Дата издания: 26.08.2016
Язык: English
Размер: 234 x 156 x 23
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Baroque music (c 1600 to c 1750), MUSIC / General
Основная тема: Baroque Music (1600-1750)
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Bibers most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.

The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries, Brewer