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Landscape and Vision in Nineteenth-Century Britain and France, Charlesworth


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Автор: Charlesworth
Название:  Landscape and Vision in Nineteenth-Century Britain and France
ISBN: 9781138259430
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138259438
Обложка/Формат: Paperback
Страницы: 218
Вес: 0.38 кг.
Дата издания: 14.10.2016
Язык: English
Размер: 234 x 156
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art & design styles: c 1800 to c 1900, ART / European
Основная тема: 19th Century Modern Art
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: A study of the ways landscape was perceived in nineteenth-century Britain and France, this book draws on evidence from poetry, landscape gardens, spectacular public entertainments, novels and scientific works as well as paintings in order to develop its basic premise that landscape and the processes of perceiving it cannot be separated. Vision embraces panoramic seeing from high places, but also the seeing of ghosts and spectres when madness and hallucination impinge upon landscape. The rise of geology and the spread of empires upset the existing comfortable orders of comprehension of landscape. Reverie and imagination produced powerful interpretive actions, while landscape in French culture proved central to the rejection of conservative classicism in favour of perceptual questioning of experience. The experience of subjectivity proved central to the perception of landscape while the visual culture of landscape became of paramount importance to modernity during the period in question.


Pictures-within-pictures in nineteenth-century britain

Автор: Roach, Catherine
Название: Pictures-within-pictures in nineteenth-century britain
ISBN: 1138353094 ISBN-13(EAN): 9781138353091
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Repainting the work of another into one’s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.

Women Art Critics in Nineteenth-Century France: Vanishing Acts

Автор: Guentner Wendelin
Название: Women Art Critics in Nineteenth-Century France: Vanishing Acts
ISBN: 161149446X ISBN-13(EAN): 9781611494464
Издательство: Rowman & Littlefield Publishers
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Цена: 21542.00 р.
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Описание: Leading experts and political leaders from Europe and North America explore the political, economic, and foreign policy possibilities of a more politically progressive Ukraine in the heart of Europe. They investigate the obstacles that have turned Ukraine into an immobile state and offer specific recommendations that would open Ukraine by breaking its reform logjam.

Women Writing Art History in the Nineteenth Century

Автор: Fraser
Название: Women Writing Art History in the Nineteenth Century
ISBN: 1107428742 ISBN-13(EAN): 9781107428744
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: This wide-ranging, interdisciplinary study of female art literature and professional networks in the nineteenth century explores work by a range of women writers from George Eliot to Vernon Lee, and repositions women as key agents in the emergence of art history as a separate intellectual field.

Techniques of the Observer: On Vision and Modernity in the Nineteenth Century

Автор: Crary
Название: Techniques of the Observer: On Vision and Modernity in the Nineteenth Century
ISBN: 0262531070 ISBN-13(EAN): 9780262531078
Издательство: MIT Press
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Цена: 5070.00 р.
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Описание:

Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle.

In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.

Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.

Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

French Paintings of the Nineteenth Century, Part I: Before Impressionism

Автор: L. Eitner.
Название: French Paintings of the Nineteenth Century, Part I: Before Impressionism
ISBN: 089468227X ISBN-13(EAN): 9780894682278
Издательство: Princeton UP
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Цена: 9882.00 р.
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Описание: Encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. This title also illustrates Jean-Baptiste-Camille Corot`s verdant landscapes, Honore Daumier`s political satires, and Jean-Francois Millet`s realism.

American Paintings of the Nineteenth Century, Part I

Автор: F. Kelly.
Название: American Paintings of the Nineteenth Century, Part I
ISBN: 0894682156 ISBN-13(EAN): 9780894682155
Издательство: Princeton UP
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Цена: 6267.00 р.
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Описание:

In the age of Charles Darwin and John Ruskin, nineteenth-century American artists sought to imitate the truths of nature. Works such as Albert Bierstadt's "Lake Lucerne," Frederic Edwin Church's "Morning in the Tropics," Thomas Cole's "Voyage of Life" series, and Asher B. Durand's "Forest in the Morning Light" are examples of the certainty of vision and faith in the nation's destiny that prevailed during this period of great expansion in America. Winslow Homer's "Breezing Up (A Fair Wind)," one of nine paintings by the artist in the Gallery's collection, is discussed, as are several works by Thomas Eakins, including "The Biglin Brothers Racing," which was inspired by the first pair-oared race in America.

American Paintings of the Nineteenth Century, Part II

Автор: R.W. Torchia.
Название: American Paintings of the Nineteenth Century, Part II
ISBN: 0894682547 ISBN-13(EAN): 9780894682544
Издательство: Princeton UP
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Цена: 20126.00 р.
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Описание: Catalogues more than one hundred works that are devoted to the National Gallery of Art`s holdings of 19th-century American paintings. Featuring works of Thomas Sully, John Singer Sargent, and James McNeill Whistler, this collection also includes John Quidor`s "The Return of Rip van Winkle" and Albert Pinkham Ryder`s "Siegfried".


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