Jones Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni 9781138246737

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Автор: Jones (Джонс)
Название: Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni
Перевод названия: Джонс: Алтари и их зрители в церквях Рима от Караваджо до Гвидо Рени
ISBN: 9781138246737
Издательство: Taylor&Francis
Классификация:

История художественных и оформительских стилей: с 1400 по 1600 г.

История художественных и оформительских стилей: с 1600 по 1800 г.

Религиозные объекты в изобразительном искусстве

Римский католицизм, Римская Католическая церковь

ISBN-10: 1138246735
Обложка/Формат: Paperback
Страницы: 390
Вес: 0.68 кг.
Дата издания: 19.10.2016
Серия: Visual culture in early modernity
Язык: English
Размер: 173 x 244 x 27
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: The arts: general issues, ART / History / General
Основная тема: Art & Visual Culture
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: A social history of reception, this study focuses on sacred art and Catholicism in Rome during the late sixteenth and seventeenth centuries. The five altarpieces examined here were painted by artists who are admired today - Caravaggio, Guercino, and Guido Reni - and by the less renowned but once influential Tommaso Laureti and Andrea Commodi. By shifting attention from artistic intentionality to reception, Pamela Jones reintegrates these altarpieces into the urban fabric of early modern Rome, allowing us to see the five paintings anew through the eyes of their original audiences, both women and men, rich and poor, pious and impious. Because Italian churchmen relied, after the Council of Trent, on public altarpieces more than any other type of contemporary painting in their attempts to reform and inspire Catholic society, it is on altarpieces that Pamela Jones centers her inquiry. Through detailed study of evidence in many genres - including not only painting, prints, and art criticism, but also cheap pamphlets, drama, sermons, devotional tracts, rules of religious orders, pilgrimages, rituals, diaries, and letters - Jones shows how various beholders made meaning of the altarpieces in their aesthetic, devotional, social, and charitable dimensions. This study presents early modern Catholicism and its art in an entirely new light by addressing the responses of members of all social classes - not just elites - to art created for the public. It also provides a more accurate view of the range of religious ideas that circulated in early modern Rome by bringing to bear both officially sanctioned religious art and literature and unauthorized but widely disseminated cheap pamphlets and prints that were published without the mandatory religious permission. On this basis, Jones helps to illuminate further the insurmountable problems churchmen faced when attempting to channel the power of sacred art to elicit orthodox responses.

Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni, Jones