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Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music, Nesbitt


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Автор: Nesbitt
Название:  Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
ISBN: 9781138272118
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138272116
Обложка/Формат: Paperback
Страницы: 312
Вес: 0.58 кг.
Дата издания: 26.10.2016
Язык: English
Размер: 234 x 156 x 17
Читательская аудитория: General (us: trade)
Ключевые слова: Theory of music & musicology, MUSIC / Ethnomusicology
Основная тема: Music Theory
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a philosophy of difference, and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuzes critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuzes own concepts this collection aims to explore that possibility.


Globalization and Popular Music in South Korea: Sounding Out K-Pop

Автор: Fuhr Michael
Название: Globalization and Popular Music in South Korea: Sounding Out K-Pop
ISBN: 1138840017 ISBN-13(EAN): 9781138840010
Издательство: Taylor&Francis
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Цена: 23734.00 р.
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Описание: This book offers an in-depth study of the globalization of contemporary South Korean idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political, economic, and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s, which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical power relations, and the role of the imaginary "other" in K-Pop production and consumption, relating them to the specific aesthetic dimensions and material conditions of K-Pop stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics, with transnational music production circuits, and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide, intermingle, and counteract with each other and in which the tension between both of these poles is played out musically, visually, and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic, musicological, and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology, anthropology, and cultural studies, this book will also be of interest to those studying East Asian popular culture, music globalization, and popular music.

Sounding Indigenous

Автор: Bigenho
Название: Sounding Indigenous
ISBN: 0312240155 ISBN-13(EAN): 9780312240158
Издательство: Springer
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Цена: 8384.00 р.
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Описание: Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi.

The Routledge Companion to Sounding Art

Название: The Routledge Companion to Sounding Art
ISBN: 1138780618 ISBN-13(EAN): 9781138780613
Издательство: Taylor&Francis
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Цена: 38280.00 р.
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Описание:

The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources.

The collection is organized around six main themes:

  • Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities.
  • Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound.
  • Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening.
  • Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound.
  • Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography.
  • Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed.

With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art.

A Theory of Virtual Agency for Western Art Music

Автор: Hatten Robert S.
Название: A Theory of Virtual Agency for Western Art Music
ISBN: 0253037980 ISBN-13(EAN): 9780253037985
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
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Описание:

In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.

Rancid Aphrodisiac: Subjectivity, Desire, and Rock `n` Roll

Автор: Mickey Vallee
Название: Rancid Aphrodisiac: Subjectivity, Desire, and Rock `n` Roll
ISBN: 1501322176 ISBN-13(EAN): 9781501322174
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: It has been sixty years since Rock ‘n’ Roll exploded into the mainstream, yet we remain limited in our understanding of how its bawdy excesses absorbed into the annals of mass popularity in such a short amount of time. Mickey Vallee asks: what if the Rock ‘n’ Roll eruption was nothing less than postwar consumer capitalism at its very best, precisely because it was taken as its very worst? Vallee explores the emergence of Rock ‘n’ Roll’s from an entirely new theoretical disposition in order to answer this question, drawing mainly from Lacanian cultural psychoanalysis to reveal that Rock ‘n’ Roll was far more conformist than we are generally led to believe; namely, that it was conformist with emerging liberal principles of freedom from the tyranny of the state. Vallee supports this proposition with detailed analyses of familiar (and not-so-familiar) characters and texts in Rock ‘n’ Roll to suggest that the disruption of our symbolic economy was symptomatic of a new cultural logic of economic freedom. While not denying Rock ‘n’ Roll’s role in the pre-civil rights movement, Vallee refuses the possibility to deny that Rock ‘n’ Roll’s symbolic efficacy ultimately coordinated a neoliberal foundation to the ideology of individualism in its rhythm, instrumentation, lyrics, and vocals, where its power was at its most effective and affective.

Against Ambience and Other Essays

Автор: Seth Kim-Cohen
Название: Against Ambience and Other Essays
ISBN: 1501310313 ISBN-13(EAN): 9781501310317
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Against Ambience diagnoses - in order to cure - the art world's recent turn toward ambience. Over the course of three short months - June to September, 2013 - the four most prestigious museums in New York indulged the ambience of sound and light: James Turrell at the Guggenheim, Soundings at MoMA, Robert Irwin at the Whitney, and Janet Cardiff at the Met. In addition, two notable shows at smaller galleries indicate that this is not simply a major-donor movement. Collectively, these shows constitute a proposal about what we wanted from art in 2013.

While we're in the soft embrace of light, the NSA and Facebook are still collecting our data, the money in our bank accounts is still being used to fund who-knows-what without our knowledge or consent, the government we elected is still imprisoning and targeting people with whom we have no beef. We deserve an art that is the equal of our information age. Not one that parrots the age's self-assertions or modes of dissemination, but an art that is hyper-aware, vigilant, active, engaged, and informed.

We are now one hundred years clear of Duchamp's first readymades. So why should we find ourselves so thoroughly in thrall to ambience? Against Ambience argues for an art that acknowledges its own methods and intentions; its own position in the structures of cultural power and persuasion. Rather than the warm glow of light or the soothing wash of sound, Against Ambience proposes an art that cracks the surface of our prevailing patterns of encounter, initiating productive disruptions and deconstructions.

Against Ambience and Other Essays

Автор: Seth Kim-Cohen
Название: Against Ambience and Other Essays
ISBN: 1501310321 ISBN-13(EAN): 9781501310324
Издательство: Bloomsbury Academic
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Цена: 2691.00 р.
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Описание:

Against Ambience diagnoses - in order to cure - the art world's recent turn toward ambience. Over the course of three short months - June to September, 2013 - the four most prestigious museums in New York indulged the ambience of sound and light: James Turrell at the Guggenheim, Soundings at MoMA, Robert Irwin at the Whitney, and Janet Cardiff at the Met. In addition, two notable shows at smaller galleries indicate that this is not simply a major-donor movement. Collectively, these shows constitute a proposal about what we wanted from art in 2013.

While we're in the soft embrace of light, the NSA and Facebook are still collecting our data, the money in our bank accounts is still being used to fund who-knows-what without our knowledge or consent, the government we elected is still imprisoning and targeting people with whom we have no beef. We deserve an art that is the equal of our information age. Not one that parrots the age's self-assertions or modes of dissemination, but an art that is hyper-aware, vigilant, active, engaged, and informed.

We are now one hundred years clear of Duchamp's first readymades. So why should we find ourselves so thoroughly in thrall to ambience? Against Ambience argues for an art that acknowledges its own methods and intentions; its own position in the structures of cultural power and persuasion. Rather than the warm glow of light or the soothing wash of sound, Against Ambience proposes an art that cracks the surface of our prevailing patterns of encounter, initiating productive disruptions and deconstructions.

A Theory of Virtual Agency for Western Art Music

Автор: Hatten Robert S.
Название: A Theory of Virtual Agency for Western Art Music
ISBN: 0253037972 ISBN-13(EAN): 9780253037978
Издательство: Mare Nostrum (Eurospan)
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Цена: 10659.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.

Deep Refrains: Music, Philosophy, and the Ineffable

Автор: Gallope Michael
Название: Deep Refrains: Music, Philosophy, and the Ineffable
ISBN: 022648369X ISBN-13(EAN): 9780226483696
Издательство: Wiley
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Цена: 4910.00 р.
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Описание: We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance?

In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jank l vitch, Gilles Deleuze, and F lix Guattari in order to revisit the age-old question of music's ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music's ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music's ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music's stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.

The Philosophy of Music

Автор: Pole
Название: The Philosophy of Music
ISBN: 1108038786 ISBN-13(EAN): 9781108038782
Издательство: Cambridge Academ
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Цена: 4910.00 р.
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Описание: William Pole (1814-1900) was a civil engineer and musicologist. He was elected a Fellow of the Royal Society in 1861 and was a founder member of the Royal Musical Association. First published in 1879, this work brings together a series of lectures given in 1877 for the Royal Institution.

Concise Survey of Music Philosophy

Автор: Hodges Donald A.
Название: Concise Survey of Music Philosophy
ISBN: 1138954519 ISBN-13(EAN): 9781138954519
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание:

A Concise Survey of Music Philosophy helps music students choose a philosophy that will guide them throughout their careers. The book is divided into three sections: central issues that any music philosophy ought to consider (e.g., beauty, emotion, and aesthetics); secondly, significant philosophical positions, exploring what major thinkers have had to say on the subject; and finally, opportunities for students to consider the ramifications of these ideas for themselves. Throughout the book, students are encouraged to make choices that will inform a philosophy of music and music education with which they are most comfortable to align.

Frequently, music philosophy courses are taught in such a way that the teacher, as well as the textbook used, promotes a particular viewpoint. A Concise Survey of Music Philosophy presents the most current, prevalent philosophies for consideration. Students think through different issues and consider practical applications.

There are numerous musical examples, each with links from the author's home website to online video performances. Examples are largely from the Western classical canon, but also jazz, popular, and world music styles. In the last two chapters, students apply their views to practical situations and learn the differences between philosophy and advocacy.

"Hodges has written an excellent resource for those wanting a short-but meaningful-introduction to the major concepts in music philosophy. Applicable to a number of courses in the music curriculum, this much-needed book is both accessible and flexible, containing musical examples, tables and diagrams, and additional readings that make it particularly useful for a student's general introduction to the topic. I especially like the emphasis on the personal development of a philosophical position, which makes the material especially meaningful for the student of music."

-Peter R. Webster, Scholar-in-Residence, Thornton School of Music, University of Southern California, USA

Brief Introduction to A Philosophy of Music and Music Educat

Автор: Regelski Thomas A
Название: Brief Introduction to A Philosophy of Music and Music Educat
ISBN: 1138921246 ISBN-13(EAN): 9781138921245
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Описание:

Music and Music Education as Social Praxis is a brief introduction to a praxial theory of music education, defined by author. It is grounded in an interdisciplinary approach, for undergraduate and graduate students in music education. Drawing upon scholarship from a range of disciplines, including philosophy and sociology, the book emphasizes and highlights thinking of music as an active social practice and offers an alternative to existing approaches to music education. This text advocates for an alternative approach to teaching music, rooted in the social practice of music, and will supplement Foundations or Methods courses in the Music Education curriculum.


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