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Twentieth-Century Music and Politics, 


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Название:  Twentieth-Century Music and Politics
ISBN: 9781138248366
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138248363
Обложка/Формат: Paperback
Страницы: 312
Вес: 0.58 кг.
Дата издания: 03.10.2016
Язык: English
Размер: 235 x 155 x 27
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: 20th century & contemporary classical music, MUSIC / History & Criticism
Основная тема: 20th Century Music
Подзаголовок: Essays in Memory of Neil Edmunds
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: When considering the role music played in the major totalitarian regimes of the century it is musics usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; migr communities and composers; musics role in shaping identities of self and other and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.


Twentieth-Century Organ Music

Автор: Anderson Christopher S
Название: Twentieth-Century Organ Music
ISBN: 0415875668 ISBN-13(EAN): 9780415875660
Издательство: Taylor&Francis
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Цена: 8879.00 р.
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Описание: This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music.

Twentieth-Century Organ Music

Название: Twentieth-Century Organ Music
ISBN: 041587565X ISBN-13(EAN): 9780415875653
Издательство: Taylor&Francis
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Цена: 25265.00 р.
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Описание: This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music.

Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles

Автор: Susanni Paolo, Antokoletz Elliott
Название: Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles
ISBN: 041580888X ISBN-13(EAN): 9780415808880
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. Composers discussed include Ives, Stravinsky, Bartok, Messiaen, Cage, Debussy, and Copland.

Twentieth-Century Chamber Music

Автор: Mccalla
Название: Twentieth-Century Chamber Music
ISBN: 1138171999 ISBN-13(EAN): 9781138171992
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Cambridge History of Twentieth-Century Music

Автор: Edited by Nicholas Cook
Название: The Cambridge History of Twentieth-Century Music
ISBN: 0521662567 ISBN-13(EAN): 9780521662567
Издательство: Cambridge Academ
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Цена: 35323.00 р.
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Описание: The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging book traces the progressive fragmentation of the European `art` tradition, and its relocation as one tradition among many at the century`s end.

The Cambridge History of Twentieth-Century Music

Автор: Cook
Название: The Cambridge History of Twentieth-Century Music
ISBN: 1107631998 ISBN-13(EAN): 9781107631991
Издательство: Cambridge Academ
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Цена: 6970.00 р.
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Описание: The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging book traces the progressive fragmentation of the European `art` tradition, and its relocation as one tradition among many at the century`s end.

Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens

Автор: Mathias Rhiannon
Название: Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens
ISBN: 0754650197 ISBN-13(EAN): 9780754650195
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Contemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Mathias re-evaluates the composers` positions in British music history.

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Laura Seddon

Автор: Seddon Laura
Название: British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Laura Seddon
ISBN: 1409439453 ISBN-13(EAN): 9781409439455
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: This is the first full-length study of British women`s instrumental chamber music in the early twentieth-century. It includes six case studies of composers: Adela Maddison; Ethel Smyth; Morfydd Owen; Ethel Barns; Alice Verne-Bredt and Susan Spain-Dunk, and Seddon offers valuable insight into their musical education.

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century

Автор: Seddon
Название: British Women Composers and Instrumental Chamber Music in the Early Twentieth Century
ISBN: 1138249637 ISBN-13(EAN): 9781138249639
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.

Lutyens, Maconchy, Williams and Twentieth-Century British Music

Автор: Mathias
Название: Lutyens, Maconchy, Williams and Twentieth-Century British Music
ISBN: 1138262765 ISBN-13(EAN): 9781138262768
Издательство: Taylor&Francis
Рейтинг:
Цена: 8114.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Contemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Mathias re-evaluates the composers` positions in British music history.


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