Описание: Philip Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the scholarship on early modern Britishness, this study argues that Welsh texts and traditions crucially influenced the development of English literature and identity.
Автор: Perry Название: Literature and Favoritism in Early Modern England ISBN: 0521117321 ISBN-13(EAN): 9780521117326 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using analysis of literary texts, this study examines the ideological underpinnings of the heated controversies surrounding powerful royal favorites and the idea of favoritism in the late Elizabethan and early Stuart period. Perry introduces the reader to fresh ways of thinking about the prehistory of English republican thought.
Автор: Edited by David Loewenstein Название: The Cambridge History of Early Modern English Literature ISBN: 0521631564 ISBN-13(EAN): 9780521631563 Издательство: Cambridge Academ Рейтинг: Цена: 33739.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 2003 book is a full-scale history of early modern English literature. Highly acclaimed at its first publication, this corrected edition provides broad coverage as well as detailed information on the texts, contexts and reception of Renaissance literature. An essential resource for specialists and students.
Описание: This study discusses those features of contemporary society which particularly influenced early modern crime reporting, such as attitudes to news, the law and women`s rights, and ideas about the responsibility of the community for keeping order.
Автор: Mukherji Название: Literature, Belief and Knowledge in Early Modern England ISBN: 3319713582 ISBN-13(EAN): 9783319713588 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The primary aim of Knowing Faith is to uncover the intervention of literary texts and approaches in a wider conversation about religious knowledge: why we need it, how to get there, where to stop, and how to recognise it once it has been attained. Its relative freedom from specialised disciplinary investments allows a literary lens to bring into focus the relatively elusive strands of thinking about belief, knowledge and salvation, probing the particulars of affect implicit in the generalities of doctrine. The essays in this volume collectively probe the dynamic between literary form, religious faith and the process, psychology and ethics of knowing in early modern England. Addressing both the poetics of theological texts and literary treatments of theological matter, they stretch from the Reformation to the early Enlightenment, and cover a variety of themes ranging across religious hermeneutics, rhetoric and controversy, the role of the senses, and the entanglement of justice, ethics and practical theology. The book should appeal to scholars of early modern literature and culture, theologians and historians of religion, and general readers with a broad interest in Renaissance cultures of knowing.
Описание: Crossing the disciplinary borders between political, religious, and economic history, Aaron Kitch's innovative new study demonstrates how sixteenth-century treatises and debates about trade influenced early modern English literature by shaping key formal and aesthetic concerns of authors between 1580 and 1630. The author's analysis concentrates on a commonly overlooked period of economic history-the English commercial revolution before 1620-and, utilizing an impressive combination of archival research, close reading, and attention to historical detail, traces the transformation of genre in both neglected and canonical texts. The topics here are wide-ranging but are presented with a commitment to providing a concrete understanding of the religious, political, and historic context in literary thought. Kitch begins with the emerging wool trade and explosion of economic writing, Spenser's glorification of commerce and the Protestant state as presented in The Faerie Queene, and writers such as Thomas Nashe who drew on the same economic principles to challenge Spenser. Other topics include the reaction to the herring trade in prose satire and pamphlets, the presentation of Jewish trading nations in Shakespeare and Marlowe, and the tension between the crown and London merchants as reflected in Middleton's city comedies and Jonson's and Munday's pageants and court masques.
Автор: Vaught Название: Carnival and Literature in Early Modern England ISBN: 1138268801 ISBN-13(EAN): 9781138268807 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Carnival and Literature in Early Modern England explores the elite and popular festive materials appropriated by authors during the English Renaissance in a wide range of dramatic and non-dramatic texts. Although historical records of rural, urban, and courtly seasonal customs in early modern England exist only in fragmentary form, Jennifer Vaught traces the sustained impact of festivals and rituals on the plays and poetry of sixteenth- and seventeenth-century English writers. She focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. Further, she demonstrates how these early modern texts were used-and misused-by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South. The works featured here often highlight violent conflicts between individuals of different ranks, ethnicities, and religions, which the author argues reflect the social realities of the time. These Renaissance writers responded to republican, egalitarian notions of liberty for the populace with radical support, ambivalence, or conservative opposition. Ultimately, the vital, folkloric dimension of these plays and poems challenges the notion that canonical works by Shakespeare and his contemporaries belong only to 'high' and not to 'low' culture.
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