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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples, Deldonna


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Автор: Deldonna
Название:  Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples
ISBN: 9781138268555
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138268550
Обложка/Формат: Paperback
Страницы: 340
Вес: 0.64 кг.
Дата издания: 17.11.2016
Серия: Ashgate interdisciplinary studies in opera
Язык: English
Размер: 234 x 156 x 18
Читательская аудитория: General (us: trade)
Ключевые слова: Opera, MUSIC / Genres & Styles / Opera
Основная тема: Opera & Operetta
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of Neapolitan opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.


New and Curious School of Theatrical Dancing

Автор: Lambranzi Gregorio
Название: New and Curious School of Theatrical Dancing
ISBN: 1906830460 ISBN-13(EAN): 9781906830465
Издательство: Неизвестно
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Цена: 5518.00 р.
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Описание: Gregorio Lambranzi was an Italian dancing master, working in Venice in the late 17th and early 18th centuries. His New and Curious School of Theatrical Dancing, originally published in two parts in Nuremberg in 1716, gives details of more than one hundred theatrical dances of the time, with the emphasis on the comic and grotesque, many drawn from Commedia dell'arte characters. Also included are dances suggested by various professions and trades, and dances representing sports and pastimes. Each dance is illustrated by a full page engraving by Johann Georg Puschner and accompanied by a melody line of the music used and suggestions for steps. Lambranzi's work thus provides a unique record of theatrical dancing of his period. Unlike the Dover paperback edition this is a laminated hardback edition, reproducing the original cover design and with the plates printed one to a page.

Beethoven`s Theatrical Quartets

Автор: November
Название: Beethoven`s Theatrical Quartets
ISBN: 1316639592 ISBN-13(EAN): 9781316639597
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.

Beethoven`s Theatrical Quartets

Автор: November
Название: Beethoven`s Theatrical Quartets
ISBN: 1107035457 ISBN-13(EAN): 9781107035454
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.

Opera and Drama in Eighteenth-Century London: The King`s Theatre, Garrick and the Business of Performance

Автор: Woodfield Ian
Название: Opera and Drama in Eighteenth-Century London: The King`s Theatre, Garrick and the Business of Performance
ISBN: 0521800129 ISBN-13(EAN): 9780521800129
Издательство: Cambridge Academ
Цена: 17266.00 р.
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Описание: This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.

Women Writing Music in Late Eighteenth-Century England

Автор: Ritchie
Название: Women Writing Music in Late Eighteenth-Century England
ISBN: 1138270881 ISBN-13(EAN): 9781138270886
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth lemon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.


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