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Henry James, Impressionism, and the Public, Hannah


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Автор: Hannah   (Ханна)
Название:  Henry James, Impressionism, and the Public
Перевод названия: Ханна: Генри Джеймс, импрессионизм и публика
ISBN: 9781138261471
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138261475
Обложка/Формат: Paperback
Страницы: 232
Вес: 0.43 кг.
Дата издания: 15.11.2016
Язык: English
Размер: 156 x 233 x 20
Читательская аудитория: General (us: trade)
Ключевые слова: Literary studies: c 1800 to c 1900 , LITERARY CRITICISM / Comparative Literature
Основная тема: 19th Century Literature
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry Jamess impressionism and his handling of the public. Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding Jamess treatment of the word impression as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of The Art of Fiction as both a public-forming essay and an aesthetic manifesto, Hannahs study examines Jamess responses to painterly impressionism and to aestheticism, and offers original readings of What Maisie Knew, The Wings of the Dove, and The American Scene that treat Jamess articulation of impressionism in relation to the child, the future of the novel, and shifts in the American national imaginary. Hannahs study persuasively argues that throughout his career James returns to impressionability not only as a site of immense vulnerability in an age of rapid change but also as a crucible for reshaping, challenging, and adapting to the public spheres shifting forms.


Matisse`s Poets: Critical Performance in the Artist`s Book

Автор: Kathryn Brown
Название: Matisse`s Poets: Critical Performance in the Artist`s Book
ISBN: 1501351397 ISBN-13(EAN): 9781501351396
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5384.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse’s position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist’s work in a range of media. This study argues that the livre d’artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art’s capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse’s self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse’s artist’s books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.

Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair

Автор: Rebecca Bowler
Название: Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
ISBN: 1474269052 ISBN-13(EAN): 9781474269056
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 20592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.

Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.

What Was Literary Impressionism?

Автор: Fried Michael
Название: What Was Literary Impressionism?
ISBN: 0674980794 ISBN-13(EAN): 9780674980792
Издательство: Wiley
Рейтинг:
Цена: 6645.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried argues that the impressionists compelled readers not only to see what was described and narrated but also to see writing itself: the upward-facing page, pen and ink, the written script, the act of inscription.

Matisse`s Poets: Critical Performance in the Artist`s Book

Автор: Kathryn Brown
Название: Matisse`s Poets: Critical Performance in the Artist`s Book
ISBN: 150132683X ISBN-13(EAN): 9781501326837
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 22176.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse’s position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist’s work in a range of media. This study argues that the livre d’artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art’s capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse’s self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse’s artist’s books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.

Henry James, Impressionism, and the Public

Автор: Hannah Daniel
Название: Henry James, Impressionism, and the Public
ISBN: 1409429539 ISBN-13(EAN): 9781409429531
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James`s impressionism and his handling of `the public.` In readings of `The Art of Fiction,` What Maisie Knew, The Wings of the Dove and The American Scene, among other works.

Literary impressionism

Автор: Bowler, Rebecca (university Of Sheffield, Uk)
Название: Literary impressionism
ISBN: 1350063916 ISBN-13(EAN): 9781350063914
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5067.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.

Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.


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