Heile The Music of Mauricio Kagel 9781138264328

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Автор: Heile
Название: The Music of Mauricio Kagel
ISBN: 9781138264328
Издательство: Taylor&Francis
Классификация:

Музыка

20 век и современная классическая музыка

ISBN-10: 1138264326
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.41 кг.
Дата издания: 15.11.2016
Язык: English
Размер: 158 x 233 x 17
Читательская аудитория: General (us: trade)
Ключевые слова: 20th century & contemporary classical music, MUSIC / General
Основная тема: 20th Century Music
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and 50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to Europe to pursue a career as a composer. He quickly established himself at Cologne, the rallying point for young composers at the time, and became one of the leading, if controversial, figures at the famous Darmstadt summer courses. He embraced multiple serialism, aleatory technique and electronics, but he is best known for his pioneering explorations in music theatre, radio play, film and mixed media. BjA¶rn Heile charts Kagels compositional development, considering the aesthetic and ideological issues the composer raises in his work. Focusing on Kagels use of music as a means of intellectual inquiry, Heile shows Kagel to constantly question the nature of music and its role in society. Kagels broadening of the concept of music to include theatre, film and other media, his disdain for purism as well as his subversive humour and sense of the absurd have challenged reified notions of music and art. Heile considers Kagels background as Argentine immigrant to Europe (born to Russian-Jewish immigrants to Argentina) to situate the composers aesthetic. What emerges is the breadth of Kagels imagination and the multiplicity of contexts he drew from, which were both distinctive and, in the age of pluralist multiculturalism and globalization, exemplary. As Heile demonstrates, it was Kagels enlarged notion of music as inherently multimedial that may be his most important contribution to new music, and on which his reputation ultimately rests.

The Music of Mauricio Kagel, Heile