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Opera as Soundtrack, Joe


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Автор: Joe
Название:  Opera as Soundtrack
ISBN: 9781138251526
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138251526
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.41 кг.
Дата издания: 11.11.2016
Серия: Ashgate interdisciplinary studies in opera
Язык: English
Размер: 234 x 156 x 12
Читательская аудитория: General (us: trade)
Ключевые слова: Opera, MUSIC / Genres & Styles / Opera
Основная тема: Opera & Operetta
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание:

Filmmakers fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment.

Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joes film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allens Match Point, David Cronenbergs M. Butterfly, and Wong Kar-wais 2046.




Opera as Soundtrack

Автор: Joe Jeongwon
Название: Opera as Soundtrack
ISBN: 0754667189 ISBN-13(EAN): 9780754667186
Издательство: Taylor&Francis
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Цена: 24499.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Jeongwon Joe examines the role of opera as soundtrack by exploring the distinct effects opera produces in film, and what elements set opera apart from other types of soundtrack music, such as jazz or symphony. The author explores why opera tends to accompany poignant, pivotal scenes; she argues that when soundtracks employ opera excerpts.

Magical Musical Tour: Rock and Pop in Film Soundtracks

Автор: Kevin J. Donnelly
Название: Magical Musical Tour: Rock and Pop in Film Soundtracks
ISBN: 1628921285 ISBN-13(EAN): 9781628921281
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Winner of the Southwest Popular and American Culture Association’s 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.

Magical Musical Tour: Rock and Pop in Film Soundtracks

Автор: Kevin J. Donnelly
Название: Magical Musical Tour: Rock and Pop in Film Soundtracks
ISBN: 1628927488 ISBN-13(EAN): 9781628927481
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 4592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Winner of the Southwest Popular and American Culture Association’s 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.


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