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The Chamber Organ in Britain, 1600–1830, Wilson


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Автор: Wilson
Название:  The Chamber Organ in Britain, 1600–1830
ISBN: 9781138275805
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138275808
Обложка/Формат: Paperback
Страницы: 312
Вес: 0.58 кг.
Дата издания: 28.11.2016
Язык: English
Издание: 2 ed
Размер: 234 x 156
Читательская аудитория: General (us: trade)
Ключевые слова: Music: styles & genres, MUSIC / General
Основная тема: European Music
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: The first edition of The English Chamber Organ was published in 1968. This new, revised edition takes into account the considerable research into chamber organs that has taken place over the last thirty years.


Mozart`s Chamber Music with Keyboard

Автор: Harlow
Название: Mozart`s Chamber Music with Keyboard
ISBN: 1107534283 ISBN-13(EAN): 9781107534285
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Internationally renowned scholars draw upon the latest Mozart research to explore the astounding creative achievements in, and the performance and reception of, Mozart`s sonatas with violin, keyboard trios and quartets, and quintet with winds. This is the first book in English devoted to Mozart`s much-loved chamber music with keyboard.

Mozart Studies 2

Автор: Keefe Simon P.
Название: Mozart Studies 2
ISBN: 1108458149 ISBN-13(EAN): 9781108458146
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: This volume comprises a series of essays on one of the greatest and most famous musicians of all time, by internationally renowned Mozart scholars. Chapters explore the composer`s life and reception and many of his most popular works, including The Marriage of Figaro and his chamber and orchestral music.

Schubert`s Lieder and the Philosophy of Early German Romanti

Автор: Feurzeig Lisa
Название: Schubert`s Lieder and the Philosophy of Early German Romanti
ISBN: 140944788X ISBN-13(EAN): 9781409447887
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: This study of Franz Schubert`s settings of poetry by Friedrich Schlegel and Novalis introduces the fascinating world of early German Romanticism in the 1790s. Schubert`s encounters with early Romantic poetry some twenty years later reanimated some of the movement`s central ideas.Through exploration of Fruhromantik ideas.

Music and Theology in Nineteenth-Century Britain

Название: Music and Theology in Nineteenth-Century Britain
ISBN: 113824967X ISBN-13(EAN): 9781138249677
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.

The Musical Life of Nineteenth-Century Belfast

Автор: Johnston
Название: The Musical Life of Nineteenth-Century Belfast
ISBN: 0754663256 ISBN-13(EAN): 9780754663256
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast’s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast’s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast’s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.

Mozart`s Music of Friends

Автор: Klorman
Название: Mozart`s Music of Friends
ISBN: 1107093651 ISBN-13(EAN): 9781107093652
Издательство: Cambridge Academ
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Цена: 17266.00 р.
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Описание: Using the metaphor of artful conversation, this study examines chamber music in Mozart`s period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyze selected musical extracts in terms of social interplay.

Music and Performance Culture in Nineteenth-Century Britain

Название: Music and Performance Culture in Nineteenth-Century Britain
ISBN: 1138253782 ISBN-13(EAN): 9781138253780
Издательство: Taylor&Francis
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Описание: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Music and Academia in Victorian Britain

Автор: Golding
Название: Music and Academia in Victorian Britain
ISBN: 1138276650 ISBN-13(EAN): 9781138276659
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Until the nineteenth century, music occupied a marginal place in British universities. Degrees were awarded by Oxford and Cambridge, but students (and often professors) were not resident, and there were few formal lectures. It was not until a benefaction initiated the creation of a professorship of music at the University of Edinburgh, in the early nineteenth century, that the idea of music as a university discipline commanded serious consideration. The debates that ensued considered not only music’s identity as art and science, but also the broader function of the university within education and society. Rosemary Golding traces the responses of some of the key players in musical and academic culture to the problems surrounding the establishment of music as an academic discipline. The focus is on four universities: Edinburgh, Oxford, Cambridge and London. The different institutional contexts, and the approaches taken to music in each university, showcase the various issues surrounding music’s academic identity, as well as wider problems of status and professionalism. In examining the way music challenged conceptions of education and professional identity in the nineteenth century, the book also sheds light on the way the academic study of music continues to challenge modern approaches to music and university education.


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