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The Beholder, 


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Название:  The Beholder
ISBN: 9781138257887
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138257885
Обложка/Формат: Paperback
Страницы: 244
Вес: 0.46 кг.
Дата издания: 11.11.2016
Серия: Histories of vision
Язык: English
Размер: 154 x 236 x 18
Читательская аудитория: General (us: trade)
Ключевые слова: The arts: general issues, ART / Criticism & Theory
Основная тема: Art & Visual Culture
Подзаголовок: The Experience of Art in Early Modern Europe
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: One of the most significant developments in the study of works of art over the past generation has been a shift in focus from the works themselves to the viewers experience of them and the relation of that experience both to the works in question and to other aspects of cultural life. The ten essays written for this volume address the experience of art in early modern Europe and approach it from a variety of methodological perspectives: concerns range from the relation between its perceptual and significative dimensions to the ways in which its discursive formation anticipates but does not exactly correspond to later notions of aesthetic experience. The modes of engagement vary from careful empirical studies that explore the complex complementary relationship between works of art and textual evidence of different kinds to ambitious efforts to mobilize the powerful interpretative tools of psychoanalysis and phenomenology. This diversity testifies to the vitality of current interest in the experience of beholding and the urgency of the challenge it poses to contemporary art-historical practice.


Название: Beholding Violence in Medieval and Early Modern Europe
ISBN: 1138251615 ISBN-13(EAN): 9781138251618
Издательство: Taylor&Francis
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Цена: 14482.00 р.
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Описание: Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?

Beholding Disability in Renaissance England

Автор: Hobgood Allison P.
Название: Beholding Disability in Renaissance England
ISBN: 0472132369 ISBN-13(EAN): 9780472132362
Издательство: Mare Nostrum (Eurospan)
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Цена: 10256.00 р.
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Описание: Human variation has always existed, though it has been conceived of and responded to variably. Beholding Disability in Renaissance England interprets sixteenth- and seventeenth-century literature to explore the fraught distinctiveness of human bodyminds and the deliberate ways they were constructed in early modernity as able, and not.

The Hurt(ful) Body: Performing and Beholding Pain, 1600-1800

Автор: Macsotay Tomas, Haven Cornelis Van Der, Vanhaesebrouck Karel
Название: The Hurt(ful) Body: Performing and Beholding Pain, 1600-1800
ISBN: 1526143585 ISBN-13(EAN): 9781526143587
Издательство: NBN International
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Цена: 10036.00 р.
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Описание: Brings into mutual dialogue several existing strands of the study of pain and embodied violence. The volume`s two-fold approach, themed both on the hurt and hurt-inducing body, is unique. It encompasses both the victim`s presence as an image or performed event of pain and the transmitted burden or `pain` experienced by the watching audience. -- .


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