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The Figure of Music in Nineteenth-Century British Poetry, 


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Название:  The Figure of Music in Nineteenth-Century British Poetry
ISBN: 9781138263567
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138263567
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.53 кг.
Дата издания: 15.11.2016
Серия: Music in nineteenth-century britain
Язык: English
Размер: 234 x 156 x 15
Читательская аудитория: General (us: trade)
Ключевые слова: Romantic music (c 1830 to c 1900), MUSIC / General
Основная тема: Romantic Music (1830-1900)
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better musics place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blakes verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliots use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.


Nineteenth-Century British Music Studies

Автор: Horton
Название: Nineteenth-Century British Music Studies
ISBN: 1138266310 ISBN-13(EAN): 9781138266315
Издательство: Taylor&Francis
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Описание: Selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton foregrounds some of the questions that are key to this area of study: what is the nineteenth century? what is British music? and did London influence the continent? The essays which follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.

Music and Metaphor in Nineteenth-Century British Musicology

Автор: Zon
Название: Music and Metaphor in Nineteenth-Century British Musicology
ISBN: 1138263338 ISBN-13(EAN): 9781138263338
Издательство: Taylor&Francis
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Описание: Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science.

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Автор: Mabilat
Название: Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
ISBN: 1138276057 ISBN-13(EAN): 9781138276055
Издательство: Taylor&Francis
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Описание: Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

Music & the British Military in the Long Nineteenth Century

Автор: Herbert Trevor
Название: Music & the British Military in the Long Nineteenth Century
ISBN: 0199898316 ISBN-13(EAN): 9780199898312
Издательство: Oxford Academ
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Описание: The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.

Time, Space, and Gender in the Nineteenth-Century British Diary

Автор: Steinitz
Название: Time, Space, and Gender in the Nineteenth-Century British Diary
ISBN: 0230115861 ISBN-13(EAN): 9780230115866
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Through close examinations of diaries, diary publication, and diaries in fiction, this book explores how the diary`s construction of time and space made it an invaluable and effective vehicle for the dominant discourses of the period; it also explains how the genre evolved into the feminine, emotive, private form we continue to privilege today.

Nineteenth-century british literature then and now

Автор: Dentith, Professor Simon
Название: Nineteenth-century british literature then and now
ISBN: 1472418859 ISBN-13(EAN): 9781472418852
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Examining works by Charles Dickens, George Eliot, Anthony Trollope, William Morris and John Ruskin, Dentith uses the notion of hindsight to approach issues of interpretation and historicity. It is possible, Dentith argues.

The Food Plot in the Nineteenth-Century British Novel

Автор: Michael Parrish Lee
Название: The Food Plot in the Nineteenth-Century British Novel
ISBN: 1137499370 ISBN-13(EAN): 9781137499370
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Based on the author`s thesis (doctoral)--McGill University.

The Discourses of Food in Nineteenth-Century British Fiction

Автор: A. Cozzi
Название: The Discourses of Food in Nineteenth-Century British Fiction
ISBN: 1349288845 ISBN-13(EAN): 9781349288847
Издательство: Springer
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Цена: 11179.00 р.
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Описание: The book offers readings of discourses about food in a wide range of sources, from canonical Victorian novels by authors such as Dickens, Gaskell, and Hardy to parliamentary speeches, royal proclamations, and Amendment Acts.

Gossip and Subversion in Nineteenth-Century British Fiction

Автор: J. Gordon
Название: Gossip and Subversion in Nineteenth-Century British Fiction
ISBN: 0312161654 ISBN-13(EAN): 9780312161651
Издательство: Springer
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Цена: 20962.00 р.
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Gossip and Subversion in Nineteenth-Century British Fiction

Автор: J. Gordon
Название: Gossip and Subversion in Nineteenth-Century British Fiction
ISBN: 0333607821 ISBN-13(EAN): 9780333607824
Издательство: Springer
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Цена: 20962.00 р.
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Описание: This study defines the stylistic, economic and political underground beneath the standard "plots" of Victorian fiction. It includes a discussion on the ways in which an "oral community" is deployed at the margins of novels, undermining the social values inherent in inscription.

Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations from Edgeworth to Hardy

Автор: Gilmartin Sophie
Название: Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations from Edgeworth to Hardy
ISBN: 0521560942 ISBN-13(EAN): 9780521560948
Издательство: Cambridge Academ
Цена: 14256.00 р.
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Описание: This 1999 study discusses what makes people believe they are part of a region, race or nation, and shows how ideas of ancestry and kinship, and the narratives inspired by or invented around them, were of profound significance in the construction of Victorian identity.

The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature

Автор: Miller Andrew H.
Название: The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature
ISBN: 0801477182 ISBN-13(EAN): 9780801477188
Издательство: Wiley EDC
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Цена: 3945.00 р.
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Описание:

"In some moods, or for some people, the desire to improve can seem so natural as to be banal. The impulse drives forward so much in our culture that it can color our thoughts and shape our actions without being much noticed. But in other moods, or for other people, this strenuous desire becomes all too noticeable, and its demands crushing. It can then drive a sleepless attention to ourselves, a desolate evaluation of what we have been and what we are."—from The Burdens of Perfection

Literary criticism has, in recent decades, rather fled from discussions of moral psychology, and for good reasons, too. Who would not want to flee the hectoring moralism with which it is so easily associated-portentous, pious, humorless? But in protecting us from such fates, our flight has had its costs, as we have lost the concepts needed to recognize and assess much of what distinguished nineteenth-century British literature. That literature was inescapably ethical in orientation, and to proceed as if it were not ignores a large part of what these texts have to offer, and to that degree makes less reasonable the desire to study them, rather than other documents from the period, or from other periods.

Such are the intuitions that drive The Burdens of Perfection, a study of moral perfectionism in nineteenth-century British culture. Reading the period's essayists (Mill, Arnold, Carlyle), poets (Browning and Tennyson), and especially its novelists (Austen, Dickens, Eliot, and James), Andrew H. Miller provides an extensive response to Stanley Cavell's contribution to ethics and philosophy of mind. In the process, Miller offers a fresh way to perceive the Victorians and the lingering traces their quests for improvement have left on readers.


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