Автор: Wiles, Mary M (Author) Название: Jacques Rivette ( Contemporary Film Directors) ISBN: 0252078349 ISBN-13(EAN): 9780252078347 Издательство: Wiley EDC Рейтинг: Цена: 2041.00 р. 2915.00-30% Наличие на складе: Есть (1 шт.) Описание:
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty.
In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
The Politics of Age and Disability in Contemporary Spanish Film examines the onscreen construction of adolescent, elderly, and disabled subjects in Spanish cinema from 1992 to the present. Applying a dual lens of film analysis and theory drawn from the allied fields of youth, age, and disability studies, this study is set both within and against a conversation on cultural diversity--with respect to gender, sexual, and ethnic identity--which has driven not only much of the past decade's most visible and fruitful scholarship on representation in Spanish film, but also the broader parameters of discourse on post-Transition Spain in the humanities. Presenting an engaging, and heretofore under-explored, interdisciplinary approach to images of multiculturalism in what has emerged as one of recent Spain's most vibrant areas of cultural production, this book brings a fresh, while still complementary, critical sensibility to the field of contemporary Peninsular film studies through its detailed discussion of six contemporary films (by Salvador Garc a Ruiz, Achero Ma as, Santiago Aguilar & Luis Guridi, Marcos Carnevale, Alejandro Amen bar, and Pedro Almod var) and supporting reference to the production of other prominent and emerging filmmakers.
Автор: Davies Jude, Smith Carol R. Название: Gender, Ethnicity and Sexuality in Contemporary American Film ISBN: 1138974951 ISBN-13(EAN): 9781138974951 Издательство: Taylor&Francis Рейтинг: Цена: 7348.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Описание: In Film and Video Intermediality, Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions “what is meant by video?” and “what is meant by film?” How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film. Mapping the specificity of film and video is indispensable in analyzing and understanding the many contemporary intermedial objects in which film and video are mixed or combined.
Автор: Guillen Marin, Clara Название: Migrants in contemporary spanish film ISBN: 1138067776 ISBN-13(EAN): 9781138067776 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century.
Описание: This book brings together recent Spanish fictions and films that point to individualism as the root problem driving diverse circumstances of social, economic, and psychological suffering in the present and recent past.
Описание: The Spectralities Reader is the first volume to collect the rich scholarship produced in the wake of the “spectral turn” of the early 1990s, which saw ghosts and haunting conjured as compelling analytical and methodological tools across the humanities and social sciences. Surveying the past twenty years from an interdisciplinary and cross-cultural perspective, the Reader displays the wide range of concerns spectrality, in its diverse elaborations, has been called upon to elucidate. The disjunctions produced by globalization, the ungraspable quality of modern media, the convolutions of subject formation (in terms of gender, race, and sexuality), the elusiveness of spaces and places, and the lingering presences and absences of memory and history have all been reconceived by way of the spectral. A primer for the wide readership engaged with cultural interpretations of ghosts and haunting that go beyond the confines of the fictional and supernatural, The Spectralities Reader includes twenty-five groundbreaking texts by prominent contemporary thinkers, from Jacques Derrida and Gayatri Spivak to Avery Gordon and Arjun Appadurai, as well as a general introduction and six section introductions by the editors.
Описание: The present volume focuses on the uses of theory originating in non-Chinese places in the creation, curating, and criticism of contemporary Chinese visual culture. In the past two decades, contemporary Chinese art and film have attracted a great deal of media and academic attention in the West, and scholars have adopted a variety of approaches in Chinese film and visual studies. The present volume focuses on the uses and status of theory originating in non-Chinese places in the creation, curating, narration, and criticism of contemporary Chinese visual culture (broadly defined to include traditional media in the visual arts as well as cinema, installation, video, etc.). Contributors reflect on the written and, even more interestingly, the unwritten assumptions on the part of artists, critics, historians, and curators in applying or resisting Western theories. The essays in the present volume demonstrate clearly that Western theory can be useful in explicating Chinese text, as long as it is applied judiciously; the essays, taken as a whole, also suggest that cultural exchange is never a matter of one-way street. Historically, ideas from traditional Chinese aesthetics have also traveled to the West, and it is a challenge to examine what travels and what does not, as well as what makes such travel possible or impossible. The present volume thus provides us an opportunity to rethink travels of theories and texts across cultures, languages, disciplines, and media. "The authors in this volume demonstrate how theory can be deployed judiciously, and so illuminate the methodological challenges faced by scholars in a rapidly evolving field. Intellectually rigorous and yet accessible, the book is a much-needed and valuable contribution to art historical scholarship." ―Dr. Wenny Teo, Manuela and Iwan Wirth Lecturer in Modern and Contemporary Asian Art, The Courtauld Institute of Art, London. "This collection of essays offers multifaceted approaches and perspectives that demonstrate forcefully how Western theories have appropriated Chinese visual texts into the discourse of English scholarship. This is a must-read book for anyone intending to read or write about contemporary Chinese art and cinema. ―Shu-chin Tsui, Bowdoin College, author of Women Through the Lens: Gender and Nation in a Century of Chinese Cinema . "The theories, ranging from Bakhtin's reading to Chinese Daoist/Chan Buddhist notions, and engaging with postmodern perspectives and globalization, are boldly used to prompt readers to reinterpret contemporary Chinese art and film." ― Haili Kong, Swarthmore College, coeditor of One Hundred Years of Chinese Cinema.
Автор: Marina Gr?ini?; Aneta Stojni?; Mi?ko ?uvakovi? Название: Regimes of Invisibility in Contemporary Art, Theory and Culture ISBN: 3319551728 ISBN-13(EAN): 9783319551722 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life.
Описание: The Spectralities Reader is the first volume to collect the rich scholarship produced in the wake of the “spectral turn” of the early 1990s, which saw ghosts and haunting conjured as compelling analytical and methodological tools across the humanities and social sciences. Surveying the past twenty years from an interdisciplinary and cross-cultural perspective, the Reader displays the wide range of concerns spectrality, in its diverse elaborations, has been called upon to elucidate. The disjunctions produced by globalization, the ungraspable quality of modern media, the convolutions of subject formation (in terms of gender, race, and sexuality), the elusiveness of spaces and places, and the lingering presences and absences of memory and history have all been reconceived by way of the spectral. A primer for the wide readership engaged with cultural interpretations of ghosts and haunting that go beyond the confines of the fictional and supernatural, The Spectralities Reader includes twenty-five groundbreaking texts by prominent contemporary thinkers, from Jacques Derrida and Gayatri Spivak to Avery Gordon and Arjun Appadurai, as well as a general introduction and six section introductions by the editors.
Автор: Sterba Wendy Название: Reel Photos: Balancing Art and Truth in Contemporary Film ISBN: 1442245239 ISBN-13(EAN): 9781442245235 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on the role of photographs embedded in specific films to look at how we understand images. The book also explores how the viewer`s perceptions of the photos are vital to the understanding and interpretation of each of the films discussed.
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