Автор: Girling Название: Emotion and Reason in Social Change ISBN: 0230000193 ISBN-13(EAN): 9780230000193 Издательство: Springer Рейтинг: Цена: 14673.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The central concern of this ambitious study is to understand the impact of social change on people`s lives - in the vital areas of economy, politics and civil society. Combining social science rationality with the understanding of emotions through works of imagination, John Girling investigates international economic, political and social problems.
Sympathetic Sentiments develops an innovative interdisciplinary framework to explore the implications of living in a culture of feeling that seems ill at ease with itself, one in which sentiments are frequently denounced for being sentimental and self-indulgent.
These tensions are traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy', in which sympathy entails public forms of expression whereby being on show is both a condition of the authenticity of such affects and of their capacity to be masked and simulated. This, John Jervis suggests, is at the root of a range of controversies central to modern life, art and culture, including contemporary debates around trauma and compassion fatigue. Connected to these debates is the issue of modern sensationalism, discussed here and elaborated in a companion volume: Sensational Subjects: The Dramatization of Experience in the Modern World, which is published simultaneously by Bloomsbury.
Автор: Smith, Mick Bondi, Liz (university Of Edinburgh) Название: Emotion, place and culture ISBN: 1138276391 ISBN-13(EAN): 9781138276390 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Building on the achievements of Emotional Geographies (2005), the editors have brought together leading scholars such as Nigel Thrift, Alphonso Lingis and Frances Dyson as well as young, up and coming academics from a diverse range of disciplines to investigate feelings and affect in various spatial and social contexts, environments and landscapes.
Автор: Abell Название: The Expression of Emotion ISBN: 1107111056 ISBN-13(EAN): 9781107111059 Издательство: Cambridge Academ Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Expression of Emotion presents a series of new, cutting-edge essays on emotional expression written by leading philosophers, psychologists, and legal theorists. It highlights areas of interdisciplinary research interest, including facial expression, expressive action, and the role of both normativity and context in emotion perception.
Описание: "Sympathetic Sentiments "develops an innovative interdisciplinary framework to explore the implications of living in a 'culture of feeling' that seems ill at ease with itself, one in which 'sentiments' are frequently denounced for being 'sentimental' and self-indulgent. This is traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy' in which sympathy seems inherently to entail public forms of expression whereby being 'on show' is both a condition of the authenticity of such affects "and" of their capacity to be masked and simulated - hence stimulating controversy, but also the exploration of the vicarious dimensions of modern experience so central to modern literature, art and culture. The implications of all this are further explored in the context of current debates over the display of trauma as the language of sympathetic engagement, and the alleged prevalence of 'compassion fatigue' in the era of media sensationalism. Overall, the book uncovers the patterns that both reproduce our capacity for 'sympathetic sentiments' while revealing the inherent underlying tensions.
Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people.
Against the backdrop of the rapid development of China's media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms.
Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.
Автор: Candida Yates Название: The Play of Political Culture, Emotion and Identity ISBN: 0230302521 ISBN-13(EAN): 9780230302525 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offering a uniquely `psycho-cultural` take on the emotional dynamics of UK political culture this book uses theories and research in psychoanalysis, cultural and media studies and political sociology. It explores the cultural and emotional processes that shape our relationship to politics in a media age, referencing Joanna Lumley to Nigel Farage.
Описание: This book explores the role of emotion and affect in recent Latin American cinema (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking.
Emotion, Affective Practices, and the Past in the Presentis a response to debates in the humanities and social sciences about the use of emotion. This timely and unique book explores the ways emotion is embroiled and used in contemporary engagements with the past, particularly in contexts such as heritage sites, museums, commemorations, political rhetoric and ideology, debates over issues of social memory, and touristic uses of heritage sites.
Including contributions from academics and practitioners in a range of countries, the book reviews significant and conflicting academic debates on the nature and expression of affect and emotion. As a whole, the book makes an argument for a pragmatic understanding of affect and, in doing so, outlines Wetherell's concept of affective practice, a concept utilised in most of the chapters in this book. Since debates about affect and emotion can often be confusing and abstract, the book aims to clarify these debates and, through the use of case studies, draw out their implications for theory and practice within heritage and museum studies.
Emotion, Affective Practices, and the Past in the Presentshould be essential reading for students, academics, and professionals in the fields of heritage and museum studies. The book will also be of interest to those in other disciplines, such as social psychology, education, archaeology, tourism studies, cultural studies, media studies, anthropology, sociology, and history.
Автор: Hanich, Julian (free University Berlin, Germany) Название: Cinematic emotion in horror films and thrillers ISBN: 0415516579 ISBN-13(EAN): 9780415516570 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich's study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity.
Название: Ritual, emotion, violence ISBN: 1138614289 ISBN-13(EAN): 9781138614284 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Microsociologists seek to capture social life as it is experienced, and in recent decades no one has championed the microsociological approach more fiercely than Randall Collins. The pieces in this exciting volume offer fresh and original insights into key aspects of Collins’ thought, and of microsociology more generally. The introductory essay by Elliot B. Weininger and Omar Lizardo provides a lucid overview of the key premises this perspective. Ethnographic papers by Randol Contreras, using data from New York, and Philippe Bourgois and Laurie Kain Hart, using data from Philadelphia, examine the social logic of violence in street-level narcotics markets. Both draw on heavily on Collins’ microsociological account of the features of social situations that tend to engender violence. In the second section of the book, a study by Paul DiMaggio, Clark Bernier, Charles Heckscher, and David Mimno tackles the question of whether electronically mediated interaction exhibits the ritualization which, according to Collins, is a common feature of face-to-face encounters. Their results suggest that, at least under certain circumstances, digitally mediated interaction may foster social solidarity in a manner similar to face-to-face interaction. A chapter by Simone Polillo picks up from Collins’ work in the sociology of knowledge, examining multiple ways in which social network structures can engender intellectual creativity. The third section of the book contains papers that critically but sympathetically assess key tenets of microsociology. Jonathan H. Turner argues that the radically microsociological perspective developed by Collins will better serve the social scientific project if it is embedded in a more comprehensive paradigm, one that acknowledges the macro- and meso-levels of social and cultural life. A chapter by David Gibson presents empirical analyses of decisions by state leaders concerning whether or not to use force to deal with internal or external foes, suggesting that Collins’ model of interaction ritual can only partially illuminate the dynamics of these highly consequential political moments. Work by Erika Summers-Effler and Justin Van Ness seeks to systematize and broaden the scope of Collins’ theory of interaction, by including in it encounters that depart from the ritual model in important ways. In a final, reflective chapter, Randall Collins himself highlights the promise and future of microsociology. Clearly written, these pieces offer cutting-edge thinking on some of the crucial theoretical and empirical issues in sociology today.
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