Автор: Lefevere Andrй Название: Translation, Rewriting, and the Manipulation of Literary Fam ISBN: 1138208744 ISBN-13(EAN): 9781138208742 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
One of the first books to shine a light on the broad scope of translation studies,
this Routledge Translation Classic is widely regarded as a pillar of the discipline.
Authored by one of the most infl uential translation theorists of the twentieth
century, Translation, Rewriting, and the Manipulation of Literary Fame shows
how rewriting - translation, anthologization, historiography, criticism, editing -
infl uences the reception and canonization of works of literature.
Firmly placing the production and reception of literature within the wider
framework of a culture and its history, Andr Lefevere explores how rewriting
manipulates works of literature to ideological and artistic ends, and demonstrates
how rewriting a text can give it a new, sometimes subversive, historical or
literary status.
Ranging across various literatures, including Classical Latin, French, and
German, and here reissued with a new foreword by Scott G. Williams, this is a
seminal text for all students and specialists in translation studies, literary theory,
and comparative and world literature.
Автор: Freeman Название: Rewriting the Self ISBN: 1138939862 ISBN-13(EAN): 9781138939868 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1993. This book explores the process by which individuals reconstruct the meaning and significance of past experience.
What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.
In Translation and Rewriting in the Age of Post-Translation Studies, Edwin Gentzler argues that rewritings of literary works have taken translation to a new level: literary texts no longer simply originate, but rather circulate, moving internationally and intersemiotically into new media and forms. Drawing on traditional translations, post-translation rewritings and other forms of creative adaptation, he examines the different translational cultures from which literary works emerge, and the translational elements within them.
In this revealing study, four concise chapters give detailed analyses of the following classic works and their rewritings:
A Midsummer Night's Dream in Germany
Postcolonial Faust
Proust for Everyday Readers
Hamlet in China.
With examples from a variety of genres including music, film, ballet, comics, and video games, this book will be of special interest for all students and scholars of translation studies and contemporary literature.
Автор: Gentzler Edwin Название: Translation and Rewriting in the Age of Post-Translation Stu ISBN: 1138666866 ISBN-13(EAN): 9781138666863 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Translation and Rewriting in the Age of Post-Translation Studies, Edwin Gentzler argues that rewritings of literary works have taken translation to a new level: literary texts no longer simply originate, but rather circulate, moving internationally and intersemiotically into new media and forms. Drawing on traditional translations, post-translation rewritings and other forms of creative adaptation, he examines the different translational cultures from which literary works emerge, and the translational elements within them.
In this revealing study, four concise chapters give detailed analyses of the following classic works and their rewritings:
A Midsummer Night's Dream in Germany
Postcolonial Faust
Proust for Everyday Readers
Hamlet in China.
With examples from a variety of genres including music, film, ballet, comics, and video games, this book will be of special interest for all students and scholars of translation studies and contemporary literature.
Описание: This work is an analysis of literature`s relation to globalization - drawing attention to new tensions between global interdependence and ethnocentric separatism. It systematically studies narrative responses to political cultures and climates which includes a range of novels and approaches.
Автор: Francois Anne M. Название: Rewriting the Return of Africa ISBN: 0739148265 ISBN-13(EAN): 9780739148266 Издательство: Bloomsbury Рейтинг: Цена: 12920.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Cond , Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by N gritude male writers from the 1930s to 1960s. N gritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of N gritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora's relation to origins and identity. Unlike the primary male writers of the N gritude movement, they carefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to have a voice and become subject rather than object as that was the case with the N gritude writers. The women writers' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.
Автор: M. Cornis-Pope Название: Hermeneutic Desire and Critical Rewriting ISBN: 0333514742 ISBN-13(EAN): 9780333514740 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of contemporary post-structuralist and socio-semiotic theories of narrative, this book looks at a model for literary interpretation and pedagogy. Focusing on readings of Henry James, it examines the process, critical self-awareness and the strategies of re-reading and re-writing.
Описание: In The Writer in the Well: On Misreading and Rewriting Literature, Gary Weissman argues that the analysis of literature is fundamentally a writing-based practice, a practice in which the process of writing functions as a way of discovering one's interpretation (or "rewriting") of a text. Weissman takes readers inside Ira Sher's short story, "The Man in the Well," and uses his students' wide variety of interpretive responses to ask foundational questions about composition and interpretation: How is writing, rather than reading alone, central to literary interpretation? How does a diversity of interpretive responses give us deeper insight into a work of fiction? The Writer in the Well directly involves readers in the pleasurably absorbing process of reading and interpreting Sher's tale, a haunting story about a group of children who discover a man trapped in a well and choose not to save him. Weissman draws on dozens of his students' responses to the short story, as well as his dialogue with its author, to show that the deepest literary analysis occurs when we approach it as a collaborative, writing-based enterprise.
The Writer in the Well also finds particular value in misreadings, suggesting that the richest understanding of a work of fiction lies in probing the various ways it has been misinterpreted and reconceived. Weissman's study redefines the nature of authorial intention and rethinks the methods and goals of literary analysis. Integrating writing pedagogy with older and newer schools of thought--from psychoanalysis, reader-response theory, and poststructuralism to rhetorical narrative theory and cognitive literary studies--and bridging the fields of literary studies, composition and rhetoric, and creative writing, The Writer in the Well offers a new "writer-response" theory. This highly accessible and rigorous book is designed to engage a wide range of scholars, teachers, and students.
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