Class in Turn-of-the-Century Novels of Gissing, James, Hardy and Wells, Devine
Автор: Gissing, George Название: Odd women ISBN: 0199538301 ISBN-13(EAN): 9780199538300 Издательство: Oxford Academ Рейтинг: Цена: 2058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Set in grimy, fog-ridden London, Gissing`s `odd` women range from the idealistic Mary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs. Yet it is for the youngest Madden sister`s marriage that the novel reserves its most sinister critique. With superb detachment Gissing captures contemporary society`s ambivalence towards its own period of transition. The OddWomen is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an `intensely modern` work and it is perhaps for this reason that the issues it raises remain the subject ofcontemporary debate.
Автор: Coustillas Название: Collected Articles on George Gissing ISBN: 1138971073 ISBN-13(EAN): 9781138971073 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Grylls Название: The paradox of gissing rle the 19 ISBN: 1138649805 ISBN-13(EAN): 9781138649804 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published 1986. In this book the author refutes the notion that Gissing's weaknesses as a novelist are associated with defects in his personality and argues that the power of his writing stemmed from his divided character. Gissing's permanently divided emotions on poverty, reformism, women and art were, at his best, the reason he could write so convincingly about them. This analysis of Gissing's imagination and the fictional development in his major works shows that the effectiveness of his novels depends largely on these dichotomies and opposites. This work covers the whole range of Gissing's writing and relates it to its social and intellectual milieu.
Автор: John Sloan Название: George Gissing: The Cultural Challenge ISBN: 1349199451 ISBN-13(EAN): 9781349199457 Издательство: Springer Рейтинг: Цена: 6567.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Spiers Название: Gissing and the City ISBN: 1403997721 ISBN-13(EAN): 9781403997722 Издательство: Springer Рейтинг: Цена: 14673.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Gissing and the City: Cultural Crisis and the Making of Books in Late Victorian England addresses the late Victorian cultural crisis and aesthetic revolt in urban life, politics, literature and art, by special reference to the experience of the shocks of the new urban environment, and literary and artistic responses.
Название: George Gissing ISBN: 1138675539 ISBN-13(EAN): 9781138675537 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published in 2005, this collection of essays brings together British, European and North American literary critics and cultural historians with diverse specialities and interests to demonstrate the range of contemporary perspectives through which George Gissing's fiction can be viewed. It offers both closely contextualised historical readings and broader cultural and philosophical assessments and engages with a number of themes including: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibility and limits of fiction as critical intervention.
This book will be of interest to those studying the works of George Gissing, and 19th century literature more broadly.
Автор: Lipsedge Название: Domestic Space in Eighteenth-Century British Novels ISBN: 0230355277 ISBN-13(EAN): 9780230355279 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining the work of three authors: Richardson, Haywood and Burney, and their representation of domestic space, this book argues that to make such spaces accessible to modern readers they need to have information of the real domestic. By recreating specifics of these spaces this book innervates the fictional domestic interior for modern readers.
Описание: A fresh set of concerns face the twenty-first century British novelist. In this study of the four key novelists Zadie Smith, Nadeem Aslam, Hari Kunzru and David Mitchell, the the changes in narrative approaches and critical directions of a new post-1989 fiction are explored. Close readings of the writers are informed by a range of contemporary theorists, critics and commentators to reveal the emphases of twenty-first century fiction. Terror, fear, consumerism, multinationalism, and corporatism: the terms circulating in culture and social networks are evident in Smith's faith in ethical living, Aslam's consideration of multiculturalism, the novels Kunzru builds around the politics of identity and in the importance Mitchell places on the interconnectedness of human life. By putting the emergence of a new British literary dynamic in the context of ethical as well as global contexts, this study analyzes the transformed fictional perceptions of a world no longer defined by the stand off of super powers.
Описание: Neil Gaiman has emerged as one of the most influential literary figures of the twenty-first century, from his roots in graphic novels to experimental social media collaborations, from award-winning fantasy fiction to beloved children's books. To borrow a phrase from Gaiman's internationally celebrated, viral graduation speech, he “makes good art.“Featuring seventeen original scholarly essays covering a broad range of Gaiman's prolific output, this collection includes readings of the novels American Gods, Anansi Boys, The Graveyard Book, and The Ocean at the End of the Lane; explores the children's books The Wolves in the Walls and Blueberry Girl; investigates the online short story collection A Calendar of Tales and the Doctor Who episode “Nightmare in Silver;” and looks carefully at Gaiman's return to the serial comic book form with Sandman: Overture.Artist J.H. Williams III also contributes an exclusive interview about his collaboration with Gaiman on Sandman: Overture. Finally, cartoonist and former Real World: San Francisco cast member Judd Winick includes a personal essay illustrating how artists are continually, profoundly influenced by Gaiman's creative output.Focused on helping scholars and fans alike, these essays conceptualize the latest iterations of an evolving, always-emerging artist as he makes art in the developing landscape of twenty-first century literature.
Описание: A fresh set of concerns face the twenty-first century British novelist. In this study of the four key novelists Zadie Smith, Nadeem Aslam, Hari Kunzru and David Mitchell, the the changes in narrative approaches and critical directions of a new post-1989 fiction are explored. Close readings of the writers are informed by a range of contemporary theorists, critics and commentators to reveal the emphases of twenty-first century fiction. Terror, fear, consumerism, multinationalism, and corporatism: the terms circulating in culture and social networks are evident in Smith's faith in ethical living, Aslam's consideration of multiculturalism, the novels Kunzru builds around the politics of identity and in the importance Mitchell places on the interconnectedness of human life. By putting the emergence of a new British literary dynamic in the context of ethical as well as global contexts, this study analyzes the transformed fictional perceptions of a world no longer defined by the stand off of super powers.
Описание: Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Because she is often a far more vivid character than the heroine of the marriage plot, the secondary heroine inevitably engages the reader's interest in her plight. That the narrative apparently seeks to suppress her creates tension and points to the secondary heroine as a site of contested identity who represents an ideology of womanhood and nationhood at odds with the national ideals represented by the primary heroine, whom the reader is asked to embrace. In showing how the anxiety produced by these ideals is displaced onto the secondary heroine, Camden's study represents an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.
Описание: Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
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