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Who`s Listening?, Silvery


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Автор: Silvery
Название:  Who`s Listening?
ISBN: 9781138215689
Издательство: Taylor&Francis
Классификация:




ISBN-10: 1138215686
Обложка/Формат: Paperback
Страницы: 219
Вес: 0.41 кг.
Дата издания: 10.04.2018
Серия: Routledge library editions: radio
Язык: English
Размер: 234 x 156 x 12
Читательская аудитория: Undergraduate
Ключевые слова: Media studies, SOCIAL SCIENCE / Media Studies
Основная тема: Radio
Подзаголовок: The Story of BBC Audience Research
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book, first published in 1974, is the story of BBC Audience Research, a behind-the-scenes activity that has always been the subject of some curiosity. It describes the early, tentative experiments, designed both to develop ways of applying the techniques of social research to broadcasting and to win the confidence of BBC staff. The way World War II, which deprived programme planners of many of their familiar landmarks, acted as a fillip to audience research, which emerged at the end of the war as an established and accepted adjunct to broadcasting, is described in detail.


Thresholds of Listening: Sound, Technics, Space

Автор: Van Maas Sander
Название: Thresholds of Listening: Sound, Technics, Space
ISBN: 0823264378 ISBN-13(EAN): 9780823264377
Издательство: Mare Nostrum (Eurospan)
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Цена: 15675.00 р.
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Описание:

Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics.
The contributors to this volume show that the exteriorization of listening— brought into relief by recent historical studies of technologies of listening—involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening’s finitude— defined in some of the essays as its death or deadliness—should be considered as a heuristic instrument rather than as a mere descriptor.
Listening emerges where it appears to end or to run up against thresholds and limits—or when it takes unexpected turns. Listening’s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality.

Listening to Rosita: The Business of Tejana Music and Culture, 1930-1955

Автор: Villarreal Mary Ann
Название: Listening to Rosita: The Business of Tejana Music and Culture, 1930-1955
ISBN: 0806148527 ISBN-13(EAN): 9780806148526
Издательство: Mare Nostrum (Eurospan)
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Цена: 3756.00 р.
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Описание: Everybody in the bar had to drop a quarter in the jukebox or be shamed by ""Momo"" Villarreal. It wasn't about the money, Mary Ann Villarreal's grandmother insisted. It was about the music - more songs for all the patrons of the Pecan Lounge in Tivoli, Texas. But for Mary Ann, whose schoolbooks those quarters bought, the money didn't hurt. When as an adult Villarreal began to wonder how the few recordings of women singers made their way into that jukebox, questions about the money seemed inseparable from those about the music. In Listening to Rosita, Villarreal seeks answers by pursuing the story of a small group of Tejana singers and entrepreneurs in Corpus Christi, Houston, and San Antonio - the ""Texas Triangle"" - during the mid-twentieth century. Ultimately she recovers a social world and cultural landscape in central south Texas where Mexican American women negotiated the shifting boundaries of race and economics to assert a public presence. Drawing on oral history, interviews, and insights from ethnic and gender studies, Listening to Rosita provides a counternarrative to previous research on la m?sica tejana, which has focused almost solely on musicians or musical genres. Villarreal instead chronicles women's roles and contributions to the music industry. In spotlighting the sixty-year singing career of San Antonian Rosita Fern?ndez, the author pulls the curtain back on all the women whose names and stories have been glaringly absent from the ethnic and economic history of Tejana music and culture. In this oral history of the Tejana cantantes who performed and owned businesses in the Texas Triangle, Listening to Rosita shows how ethnic Mexican entrepreneurs developed a unique identity in striving for success in a society that demeaned and segregated them. In telling their story, this book supplies a critical chapter long missing from the history of the West.

Urban Social Listening

Автор: Justin B. Hollander; Erin Graves; Henry Renski; Ca
Название: Urban Social Listening
ISBN: 113759490X ISBN-13(EAN): 9781137594907
Издательство: Springer
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Цена: 6986.00 р.
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Описание: "This Palgrave Macmillan imprint is published by Springer Nature"--Title page verso.

Social Media Listening and Monitoring for Business Applications

Автор: N. Raghavendra Rao
Название: Social Media Listening and Monitoring for Business Applications
ISBN: 1522508465 ISBN-13(EAN): 9781522508465
Издательство: Mare Nostrum (Eurospan)
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Цена: 29938.00 р.
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Описание: "This book explores research-based solutions for businesses of all types interested in an understanding of emerging concepts and technologies for engaging customers online"--

Listening Publics

Автор: Lacey Kate
Название: Listening Publics
ISBN: 0745660258 ISBN-13(EAN): 9780745660257
Издательство: Wiley
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Цена: 2850.00 р.
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Описание: In focusing on the practices, politics and ethics of listening, this wide-ranging book offers an important new perspective on questions of media audiences, publics and citizenship.

Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313916 ISBN-13(EAN): 9781501313912
Издательство: Bloomsbury Academic
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Цена: 4117.00 р.
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Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.

Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313908 ISBN-13(EAN): 9781501313905
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.


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