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Drawing for Beginners. How to Draw Anime Fast!: Illustrated Guide on Drawing Amazing Manga Pictures, Neely Irma


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Цена: 1897.00р.
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При оформлении заказа до: 2025-07-31
Ориентировочная дата поставки: конец Сентября - начало Октября
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Автор: Neely Irma
Название:  Drawing for Beginners. How to Draw Anime Fast!: Illustrated Guide on Drawing Amazing Manga Pictures
ISBN: 9781522757238
Издательство: Createspace Independent Publishing Platform
Классификация: ISBN-10: 1522757236
Обложка/Формат: Paperback
Страницы: 118
Вес: 0.17 кг.
Дата издания: 17.12.2015
Язык: English
Размер: 229 x 152 x 3
Поставляется из: США
Описание:

Anime is fun and exciting to draw. It is a very modern art form with graphic novels, cartoons, posters, clothing, and many more items using anime as an intriguing graphic. Japanese animation which is what anime is short for, is very noticeable for its sharp angles and very prominent eyes. This book walks you through how to draw seven amazing anime drawings that have their own flair and style. Welcome to the wonderful world of drawing anime.

What youll learn:

- Preparing to Draw

- Anime Rabbit

- Anime Teen

- Smiling Girl

- Yawning Cat

- Cool Girl

- Anime Animal

- Apple Girl




Distracted subjects

Автор: Neely, Carol Thomas
Название: Distracted subjects
ISBN: 0801489245 ISBN-13(EAN): 9780801489242
Издательство: Wiley EDC
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Цена: 4803.00 р.
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Описание:

In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses—or forges its own prophetic figures of distraction.

The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power.

Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.


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