Judo: An Introductory Guide for Beginners, Tello Rodolfo
Автор: Guzman Rodolfo Название: Borago: Coming from the South ISBN: 0714873977 ISBN-13(EAN): 9780714873978 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 6328.00 р. Наличие на складе: Заказано в издательстве.
Описание: Internationally acclaimed star chef Rodolfo Guzman of Borago introduces the exciting world of high-end Chilean gastronomy
Описание: The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.
Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.
+++++++++++++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++ Yale Law Library LP3Y0418801 19050101 The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926 Dedication signed: R. Tello Mendoza. Comp. by General Manuel Landaera Rosales under the direction of R. Tello Mendoza. cf. dedication. Caracas: Tipografia Universal, 1905 2 v.: port.; 31 cm Venezuela
Автор: Vito G. Daniele and Rodolfo S. Zich Название: The Wienerhopf Method In Electromagnetics ISBN: 1613530013 ISBN-13(EAN): 9781613530016 Издательство: Неизвестно Цена: 16898.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This advanced research monograph is devoted to the Wiener-Hopf technique, a function-theoretic method that has found applications in a variety of fields, most notably in analytical studies of diffraction and scattering of waves. It provides a comprehensive treatment of the subject and covers the latest developments, illustrating the wide range of possible applications for this method, and includes an extensive outline of the most powerful analytical tool for the solution of diffraction problems.
This will be an invaluable compendium for scientists, engineers and applied mathematicians, and will serve as a benchmark reference in the field of theoretical electromagnetism for the foreseeable future.
Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Ver nica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dinh Q. L , Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'.
Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory.
Building on the writings of such thinkers as Michel Foucault and Jacques Ranci re, this book offers a useful concept of 'counter-memory' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other, often interrelated, global crises in the contemporary era.
Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Ver nica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dinh Q. L , Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'.
Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory.
Building on the writings of such thinkers as Michel Foucault and Jacques Ranci re, this book offers a useful concept of 'counter-memory' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other, often interrelated, global crises in the contemporary era.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
