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The Poetics of Transgenerational Trauma, Meera Atkinson


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Автор: Meera Atkinson
Название:  The Poetics of Transgenerational Trauma
ISBN: 9781501349119
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501349112
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.34 кг.
Дата издания: 07.03.2019
Серия: Literature/Literary Studies
Язык: English
Размер: 155 x 236 x 12
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary theory,Literary studies: from c 1900 -,Literary studies: fiction, novelists & prose writers, LITERARY CRITICISM / Semiotics & Theory,LITERARY CRITICISM / American / General,LITERARY CRITICISM / Comparative Literature
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Поставляется из: Англии
Описание:

The first decades of the twenty-first century have been beset by troubling social realities: coalition warfare, global terrorism and financial crisis, climate change, epidemics of family violence, violence toward women, addiction, neo-colonialism, continuing racial and religious conflict. While traumas involving large-scale or historical violence are widely represented in trauma theory, familial trauma is still largely considered a private matter, associated with personal failure. This book contributes to the emerging field of feminist trauma theory by bringing focus to works that contest this tendency, offering new understandings of the significance of the literary testimony and its relationship to broader society.

The Poetics of Transgenerational Trauma adopts an interdisciplinary approach in examining how the literary testimony of familial transgenerational trauma, with its affective and relational contagion, illuminates transmissive cycles of trauma that have consequences across cultures and generations. It offers bold and insightful readings of works that explore those consequences in story-Alison Bechdels Fun Home: A Family Tragicomic (2006), H l ne Cixouss Hyperdream (2009), Marguerite Durass The Lover (1992), Pat Barkers Regeneration Trilogy (1999), and Alexis Wrights Carpentaria (2006) and The Swan Book (2013), concluding that such testimony constitutes a fundamentally feminist experiment and encounter. The Poetics of Transgenerational Trauma challenges the casting of familial trauma in ahistorical terms, and affirms both trauma and writing as social forces of political import.




The Poetics of Transgenerational Trauma

Автор: Meera Atkinson
Название: The Poetics of Transgenerational Trauma
ISBN: 150133087X ISBN-13(EAN): 9781501330872
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 20592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The first decades of the twenty-first century have been beset by troubling social realities: coalition warfare, global terrorism and financial crisis, climate change, epidemics of family violence, violence toward women, addiction, neo-colonialism, continuing racial and religious conflict. While traumas involving large-scale or historical violence are widely represented in trauma theory, familial trauma is still largely considered a private matter, associated with personal failure. This book contributes to the emerging field of feminist trauma theory by bringing focus to works that contest this tendency, offering new understandings of the significance of the literary testimony and its relationship to broader society.

The Poetics of Transgenerational Trauma adopts an interdisciplinary approach in examining how the literary testimony of familial transgenerational trauma, with its affective and relational contagion, illuminates transmissive cycles of trauma that have consequences across cultures and generations. It offers bold and insightful readings of works that explore those consequences in story-Alison Bechdel's Fun Home: A Family Tragicomic (2006), Helene Cixous's Hyperdream (2009), Marguerite Duras's The Lover (1992), Pat Barker's Regeneration Trilogy (1999), and Alexis Wright's Carpentaria (2006) and The Swan Book (2013), concluding that such testimony constitutes a fundamentally feminist experiment and encounter. The Poetics of Transgenerational Trauma challenges the casting of familial trauma in ahistorical terms, and affirms both trauma and writing as social forces of political import.


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